Jessica Francis Kane on Penelope Fitzgerald in Mexico

Jessica Francis Kane on Penelope Fitzgerald in Mexico

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Why Everyone—Yes, Everyone—Should Join a Book Club

Why Everyone—Yes, Everyone—Should Join a Book Club

Linda-Marie Barrett on the Pleasures of Reading in Community

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On the Conservatism of Contemporary Literary Fiction

On the Conservatism of Contemporary Literary Fiction

Nathaniel Moore Reads Patricia Lockwood, Rachel Yoder, and Charlotte Wood

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What Money Really Means in Jane Austen’s Work

What Money Really Means in Jane Austen’s Work

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Spells, Skepticism, and Surrender: What Happens When the Agent Becomes the Author

Spells, Skepticism, and Surrender: What Happens When the Agent Becomes the Author

Samantha Browning Shea on Breaking Her Own Rules

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Connecting the Dots: On Creating Fiction from Facts

Connecting the Dots: On Creating Fiction from Facts

Beth Kephart Considers the Craft of Bringing a Fiction Writer’s Eye to Real Lives

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Rachel Kushner on the 10th Anniversary of Kim Gordon’s Girl in a Band

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The Case for Polyamory: Alejandro Varela on Writing a Novel That Questions Everything

The Case for Polyamory: Alejandro Varela on Writing a Novel That Questions Everything

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Taking Center Stage: Eight Novels That Celebrate Black Performance

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Elizabeth Gilbert! Mick Herron! Sarah Moss! 24 new books out today.

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“Never Had a Dirty Book Done So Badly.” On Some Unlikely Books First Published with Viking

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Paul Slovak Digs Into Titles by Leonard Cohen, John Williams, Alfred Doblin, and More

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Laughing in Hell: How We Tell the Stories of Other Peoples’ Suicides

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Sarah Adler on Reading Blake Butler in the Wake of Loss

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Returning to the World of <em>Chocolat</em>, 25 Years Later

Returning to the World of Chocolat, 25 Years Later

Joanne Harris on Writing a Sequel to Her Most Celebrated Novel

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