Daniel Torday on Why There Are No Acknowledgements in His Latest Novel

Daniel Torday on Why There Are No Acknowledgements in His Latest Novel

“That absence grows into not a void, but a validation of a privacy we’ve lost track of in our information-abundant existence.”

By Daniel Torday | January 18, 2023

WATCH: Tom Crewe and Colm Tóibín on the Joyful History of Gay Life

WATCH: Tom Crewe and Colm Tóibín on the Joyful History of Gay Life

Hosted by Greenlight Bookstore

By The Virtual Book Channel | January 18, 2023

Heather Radke on the Profundity of Our Unruly Bodies

Heather Radke on the Profundity of Our Unruly Bodies

In Conversation with Jordan Kisner on Thresholds

By Thresholds | January 18, 2023

Bruce Wagner on Oral Histories and Our Culture’s Obsession with Fame

Bruce Wagner on Oral Histories and Our Culture’s Obsession with Fame

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | January 18, 2023

18 new books to pick up at your local indie.

18 new books to pick up at your local indie.

By Katie Yee | January 17, 2023

Here’s Your 2023 Literary Film and TV Preview

Here’s Your 2023 Literary Film and TV Preview

43 Shows and Movies to Stream and See This Year

By Emily Temple | January 17, 2023

Best Reviewed
Books of the Week

  • Annie Proulx Stories: New and Selected
  • The Intangibles: Friendship, Fatherhood, and the Love of the Game
  • The Telephone: A New History
  • No Such Thing as Monday
  • O Now!
  • Don't Stop Snowing
  • The Key Biscayne Affair
  • Vocal Break: On Women, Music, and Power
  • Aristocracy, American Style: Class Privilege and the Persistence of Elite Power
  • Ten Lives: How What We Have Shapes Who We Are

Dan Kois on Youthful Nostalgia and Rediscovering the Craft of Fiction

By Erica Eisdorfer | January 17, 2023

How Leaning into Marginalia Helped Me Accept the Loss of Control That Comes with Publication

By Josh Riedel | January 17, 2023

Kathryn Ma on Writing (Un)Reliable Optimistic Narrators

By Jane Ciabattari | January 17, 2023

Does Edith Wharton Hate Us?

Does Edith Wharton Hate Us?

From The History of Literature Podcast with Jacke Wilson

By History of Literature | January 17, 2023

Alia Trabucco Zerán, the Author of <em>When Women Kill</em>, on Writing While Uncomfortable

Alia Trabucco Zerán, the Author of When Women Kill, on Writing While Uncomfortable

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | January 17, 2023

Stephanie Feldman: Is the Way We Celebrate Fueled by Fear?

Stephanie Feldman: Is the Way We Celebrate Fueled by Fear?

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 17, 2023

Adriana Trigiani on Discipline and the Writing Life

Adriana Trigiani on Discipline and the Writing Life

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | January 17, 2023

What Would It Mean to Really Make Space for Mother-Artists?

What Would It Mean to Really Make Space for Mother-Artists?

Janet Manley on Hettie Judah and the Perennial Problem of the “Mother-Shaped Hole”

By Janet Manley | January 13, 2023

Toni Morrison on Breathing Life into Clichés

Toni Morrison on Breathing Life into Clichés

"A cliché is a cliché because it’s worthwhile. Otherwise, it would have been discarded."

By Toni Morrison | January 13, 2023

An Extraordinary Partnership: <em>Turn Every Page</em> Illustrates the Rare Ideal of Artistic Collaboration

An Extraordinary Partnership: Turn Every Page Illustrates the Rare Ideal of Artistic Collaboration

Michelle Nijhuis Considers the New Documentary About Robert Caro and Robert Gottlieb

By Michelle Nijhuis | January 13, 2023

Page 333 of 883

  • Literary Hub

    Created by Grove Atlantic and Electric Literature


    Masthead

    About

    Sign Up For Our Newsletters

    How to Pitch Lit Hub

    Advertisers: Contact Us

    Privacy Policy

    Support Lit Hub - Become A Member

    • If you buy books linked on our site, Lit Hub may earn a commission from Bookshop.org, whose fees support independent bookstores.