Literary Hub » Craft and Criticism

The Annotated Nightstand: What Erika T. Wurth is Reading Now and Next

Azar Nafisi on How Both Writers and Tyrants Recreate Reality

Why the Future of Publishing For One Start-Up Entrepreneur is High-End and Analog Books That Visualize Data

The Gut-Wrenching Story of One U.S. Army Unit’s Experience in Afghanistan

How Writing Fiction Can Expose More of Yourself Than Writing Memoir

Andrew Sean Greer on the Benefits of Winning the Pulitzer Prize (and Not Having to Schmooze)

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The 60 Best Campus Novels from the Last 100 Years

The Long and the Short of It: Hilma Wolitzer on Returning to Short Fiction in Her 90s

Perhaps the Most Remarkable Thing About Charlie Watts Was Just How Remarkably Ordinary He Was

An Ode to Harriet the Spy, the Art Monster of East End Avenue

Chloé Cooper Jones on the Exchange of Authenticity Between Memoirist and Reader

How California is Pioneering the Reform of the American Criminal Justice System

Steve Almond on Figuring Out How to Master a Big Plot

The 18th-Century China Question: The Perils of Translating Between Qing China and the British Empire

How Cemeteries Reveal America’s Most Hidden and Often Deadliest History

Imagining a Kafkaesque Hell in Which There Is Only Jägermeister to Drink and the Devil Is a Corporate Bureaucrat

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