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Meet the novelists who are re-analyzing HBO's <em>Girls.</em>

Meet the novelists who are re-analyzing HBO's Girls.

By Brittany Allen | May 13, 2024

Saying the Unsayable, and Listening to Silence: Jon Fosse on How Writing Plays Transformed His Craft

Saying the Unsayable, and Listening to Silence: Jon Fosse on How Writing Plays Transformed His Craft

From the Author’s Nobel Lecture in “A Silent Language”

By Jon Fosse | May 13, 2024

Continual Self-Revision: Bee Sacks on Coming Out As a Nonbinary Author

Continual Self-Revision: Bee Sacks on Coming Out As a Nonbinary Author

“I have become a text that revises themself, that will revise themself every day, every day until the last day.”

By Bee Sacks | May 13, 2024

Jennifer Leigh Selig on Deep Memoir

Jennifer Leigh Selig on Deep Memoir

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | May 13, 2024

Sunjeev Sahota on Novels as Detective Stories

Sunjeev Sahota on Novels as Detective Stories

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 13, 2024

Alice McDermott’s Writing Mantra:<br> “Ah, Fuck Em.”

Alice McDermott’s Writing Mantra:
“Ah, Fuck Em.”

From Her One Story Literary Debutante Ball Address

By Alice McDermott | May 10, 2024

Best Reviewed
Books of the Week

  • Ghost-Eye
  • Trash!: A Garbageman's Story
  • As If
  • Good Company
  • Radical Duke: How One Aristocrat-And the American Revolution-Transformed Britain
  • Monster of a Land: On the Road in Search of Modern America

Lolita is Nabokov: On the Parallel Histories of the Writer and His Most Famous Character

By Monika Zgustova | May 10, 2024

Karen Tei Yamashita on Seeking Stories in the Soil

By Karen Tei Yamashita | May 10, 2024

What Should You Read Next? Here Are the Best Reviewed Books of the Week

By Book Marks | May 10, 2024

Sitting at the Cool Table: Christina Cooke and Marissa Higgins on the (Supposed) Renaissance of Queer Lit

Sitting at the Cool Table: Christina Cooke and Marissa Higgins on the (Supposed) Renaissance of Queer Lit

The Authors of “Broughtupsy” and “A Good Happy Girl” in Conversation

By Christina Cooke | May 10, 2024

Claire Messud on Blurring Family History and Fiction

Claire Messud on Blurring Family History and Fiction

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | May 9, 2024

A Different Kind of Dad Book: Lucas Mann on Fatherhood, Writing, and the Essay as an Act of Care

A Different Kind of Dad Book: Lucas Mann on Fatherhood, Writing, and the Essay as an Act of Care

The Author of “Attachments: Essays on Fatherhood and Other Performances” in Talks to Brian Gresko

By Brian Gresko | May 9, 2024

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

“Can a novel be both blunt and exquisite?”

By Book Marks | May 9, 2024

How the Beloved Memory of Dead Pets Can Help Guide the Writing Process

How the Beloved Memory of Dead Pets Can Help Guide the Writing Process

Simon Van Booy on Letting Go and Following the Story Wherever It Takes Him

By Simon Van Booy | May 9, 2024

Why You Should Keep a Garden Journal (Even if You Don’t Have a Garden)

Why You Should Keep a Garden Journal (Even if You Don’t Have a Garden)

Fiona Warnick on the Question of What Is Worth Documenting

By Fiona Warnick | May 9, 2024

The Annotated Nightstand: What Wendy Chen is Reading Now, and Next

The Annotated Nightstand: What Wendy Chen is Reading Now, and Next

Featuring Julián Delgado Lopera, Bo-Young Kim, Brandon Shimoda, and Others

By Diana Arterian | May 9, 2024

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Page 177 of 852
    • Keith Roysdon on the Genius of Rod Serling's Forgotten Suspense Radio ShowJune 25, 2026 by Keith Roysdon
    • How the Manson Murders and Dominique Dunne Case Transformed LA True CrimeJune 25, 2026 by Naomi Kaye
    • Tomes That Teach: Jonelle Patrick on Learning the Past Through Historical FictionJune 25, 2026 by Jonelle Patrick
    • Ghost-Eye
    • The Best Reviewed Books of the Week
    • "Strikingly em Ghost-Eye em has none of the eerie mood of a Gothic novel or…"
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