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Gabriel García Márquez on the Magic of Juan Rulfo

Gabriel García Márquez on the Magic of Juan Rulfo

A Foreword to the Classic Mexican Novel Pedro Páramo

By Gabriel García Márquez | November 27, 2023

Booker Prize Winner Paul Lynch on the Fundamental Dignity of the Individual

Booker Prize Winner Paul Lynch on the Fundamental Dignity of the Individual

“Literary style should be a way of knowing how the world is met in its unfolding.”

By Peter Murphy | November 27, 2023

Writing “Women of a Certain Age.” A Roundtable on Crafting Older Female Characters in Fiction

Writing “Women of a Certain Age.” A Roundtable on Crafting Older Female Characters in Fiction

Lisa Gornick Hosts a Conversation with Julia Alvarez, Fiona Davis, Andrea Lee, and Elizabeth Strout

By Lisa Gornick | November 27, 2023

(Don’t) Watch Your Tongue: Why Swearing Is Fun

(Don’t) Watch Your Tongue: Why Swearing Is Fun

Rebecca Roache on the Titillating Linguistic Taboos of Modern Life

By Rebecca Roache | November 27, 2023

Do You Believe in Magic? On The Timeless Charm of Children’s Books

Do You Believe in Magic? On The Timeless Charm of Children’s Books

Jane Mount Considers the Power of Literary Nostalgia in Creating Art

By Jane Mount | November 27, 2023

Deepa Anappara and Taymour Soomro on Origin Stories

Deepa Anappara and Taymour Soomro on Origin Stories

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | November 27, 2023

Best Reviewed
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  • This Is Not About Us
  • Eradication: A Fable
  • The Boundless Deep: Young Tennyson, Science and the Crisis of Belief
  • The Last Kings of Hollywood: Coppola, Lucas, Spielberg—And the Battle for the Soul of American Cinema
  • End of Days: Ruby Ridge, the Apocalypse, and the Unmaking of America

“The Status Quo is Not an Option...” John Vaillant on Our Climate Future

By Alex Clark | November 22, 2023

Elegies of Sorrow and the Crow: How to Process Grief and Loss Through Storytelling

By Caroline Hardaker | November 22, 2023

Amy Kurzweil on Text, Image, AI, and Artistic Translation

By Amy Kurzweil | November 22, 2023

K-Ming Chang On Pushing Every Sentence To Its Furthest Point

K-Ming Chang On Pushing Every Sentence To Its Furthest Point

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | November 22, 2023

Dr. Jessica Kirzane on Translating Yiddish Literature

Dr. Jessica Kirzane on Translating Yiddish Literature

From The History of Literature Podcast with Jacke Wilson

By History of Literature | November 22, 2023

Where is Mosab Abu Toha? A Poem from Gaza in 22 Languages

Where is Mosab Abu Toha? A Poem from Gaza in 22 Languages

Read “What Is Home?” by the Palestinian Poet Recently Kidnapped by Israeli Forces

By Mosab Abu Toha | November 21, 2023

The History of the United States According to Colson Whitehead

The History of the United States According to Colson Whitehead

Alexander Manshel on the Historical Fiction Boom of Contemporary American Literature

By Alexander Manshel | November 21, 2023

“We Want to Make It Feel Like a Party.” On the Transformation of Southwest Review

“We Want to Make It Feel Like a Party.” On the Transformation of Southwest Review

A Lit Mag Embraces Colorful Design and Literary Translation

By Mark Haber | November 21, 2023

Naomi Alderman on Creating a Fictional Tech Dystopia

Naomi Alderman on Creating a Fictional Tech Dystopia

Jane Ciabattari Talks to the Author of The Future

By Jane Ciabattari | November 21, 2023

Brit Marling on Writing Women Who Get to the End of Their Stories

Brit Marling on Writing Women Who Get to the End of Their Stories

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | November 21, 2023

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    • Why Fictional Detectives Should Have Friends (and Katie Siegel Is Sad If They Don't)February 18, 2026 by Katie Siegel
    • The Best Debut Novels of the Month: February 2026February 18, 2026 by CrimeReads
    • The Only Mob Boss Fried in Old SparkyFebruary 18, 2026 by Jeffrey Sussman
    • They
    • The Best Reviewed Books of the Week
    • "a succession of nine quietly horrifying stories from a dystopian pastorally radiant England The novella…"
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