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  • Craft and Criticism
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Ross Gay: In Praise of (Foot- End- Etc.) Notes

Ross Gay: In Praise of (Foot- End- Etc.) Notes

"I long for a book made of only endnotes."

By Ross Gay | September 21, 2023

Their Own Promised Land: Halle Hill on Good Women and the Spirituality of Girlhood

Their Own Promised Land: Halle Hill on Good Women and the Spirituality of Girlhood

"Faith gave the women around me strengths and simultaneous burdens."

By Halle Hill | September 21, 2023

Tetyana Ogarkova and Volodymyr Yermolenko on How Artists Are Responding to the War in Ukraine

Tetyana Ogarkova and Volodymyr Yermolenko on How Artists Are Responding to the War in Ukraine

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | September 21, 2023

Kristi Coulter on Being Inside Amazon in the Early Days

Kristi Coulter on Being Inside Amazon in the Early Days

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | September 21, 2023

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

"Her book has promised universal absolution and universal absolution it must deliver."

By Book Marks | September 21, 2023

Wham! Biff! Kapow! ACTION! with S.L. Huang, Julia Vee, and Ken Bebelle

Wham! Biff! Kapow! ACTION! with S.L. Huang, Julia Vee, and Ken Bebelle

Tor Presents: Voyage Into Genre S03E04

By Tor Presents: Voyage into Genre | September 20, 2023

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Anne Enright Stays Inside the Work

By Anne Enright | September 19, 2023

The Politics of Chronic Illness Memoirs

By Kate Roberts | September 19, 2023

Betty Gilpin on Being In It For Big Feelings

By Talk Easy | September 19, 2023

Estranging English: Mandy-Suzanne Wong on Constructing New Literary Languages

Estranging English: Mandy-Suzanne Wong on Constructing New Literary Languages

"When you are a foreigner, nothing around you is necessarily what it is."

By Mandy-Suzanne Wong | September 19, 2023

Cleo Qian on the Differences Between Writing Poetry and Fiction

Cleo Qian on the Differences Between Writing Poetry and Fiction

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | September 19, 2023

What's Unreal is Real: Alicia Elliott on the Tired Trope of Madness in Fiction

What's Unreal is Real: Alicia Elliott on the Tired Trope of Madness in Fiction

"There is a cheapness to this sort of revelation."

By Alicia Elliott | September 18, 2023

Poet and Translator Dong Li on the

Poet and Translator Dong Li on the "Common Tongue of Poetry"

Peter Mishler Talks to the Author of The Orange Tree

By Peter Mishler | September 18, 2023

The Many Lessons from James Baldwin's <em>Another Country</em>

The Many Lessons from James Baldwin's Another Country

Carole Burns Rediscovers a Masterclass in Craft

By Carole Burns | September 18, 2023

The Marvelous Real: Leonardo Padura on Alejo Carpentier's <em>The Lost Steps</em>

The Marvelous Real: Leonardo Padura on Alejo Carpentier's The Lost Steps

"Art entails a kind of knowledge that is undoubtedly transcendent in character. And yet art must be, is, something more."

By Leonardo Padura | September 18, 2023

James Shapiro on Shakespeare and America

James Shapiro on Shakespeare and America

From The History of Literature Podcast with Jacke Wilson

By History of Literature | September 18, 2023

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Page 141 of 642
    • What to Watch: 6 British Mystery Series for Fans of VeraNovember 12, 2025 by Kate Mailer
    • Twins and Doppelgängers: Why They Always Thrive in ThrillersNovember 12, 2025 by J.H. Markert
    • The Power of Setting Thrillers in Seemingly Idyllic LocalesNovember 12, 2025 by Courtney Psak
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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