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Fetishizing Violence: Juniper Fitzgerald on Unlearning the Gothic Narrative

Fetishizing Violence: Juniper Fitzgerald on Unlearning the Gothic Narrative

Against Humbert Humberts, Draculas, and Vincents

By Juniper Fitzgerald | August 30, 2022

Anthony Marra on How Research Leads to Narrative Shape

Anthony Marra on How Research Leads to Narrative Shape

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | August 30, 2022

From Nabokov to Erdrich: Reading Complex Portraits of Criminality

From Nabokov to Erdrich: Reading Complex Portraits of Criminality

Rebecca Bernard on Learning from Criminal Stories

By Rebecca Bernard | August 29, 2022

Pizza Hut For Dinner: An Ode to the “Book It” Program

Pizza Hut For Dinner: An Ode to the “Book It” Program

Deborah Liu on the Programs That Inspire a Life of Learning

By Deborah Liu | August 29, 2022

All Things Are Possible: Mario Vargas Llosa on the Eternal Youth of Flaubert’s Writing

All Things Are Possible: Mario Vargas Llosa on the Eternal Youth of Flaubert’s Writing

"If we are to be honest, the true creator of the modern novel was Flaubert."

By Mario Vargas Llosa | August 29, 2022

How to Follow Your Passions When the Creative Expression Feels Elusive

How to Follow Your Passions When the Creative Expression Feels Elusive

Charlie Jane Anders and Azar Nafisi Guest on the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | August 29, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

Eric Nguyen on Inverting the Stereotype of the “Other”

By First Draft: A Dialogue on Writing | August 29, 2022

The 50 Best Fictional Dragons, Ranked

By Olivia Rutigliano | August 26, 2022

On Learning to Separate Romantic Love from Happiness

By Carrie Jenkins | August 26, 2022

What to Read Before and After Seeing <em>Loving Highsmith</em>

What to Read Before and After Seeing Loving Highsmith

Readings on the Life, Works, and Obsessions of Patricia Highsmith

By Literary Hub | August 26, 2022

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring Abdulrazak Gurnah, Emma Donoghue, Sigmund Freud, T. S. Eliot, and more

By Book Marks | August 26, 2022

Bringing Math to the Many: A Reading List

Bringing Math to the Many: A Reading List

G. Arnell Williams Recommends Books That Convey the Cultural Significance of Math

By G. Arnell Williams | August 26, 2022

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

Hollywood Moms, Seventh-Century Monks, Cuban Revolutionaries, and More

By Book Marks | August 25, 2022

13 Ways of Looking at <em>Denial</em>: Jon Raymond on the Artistic Inspiration Behind His Novel

13 Ways of Looking at Denial: Jon Raymond on the Artistic Inspiration Behind His Novel

Part Four in the Series “13 Ways of Looking”

By Jon Raymond | August 25, 2022

Megan Giddings: Why the World Still Needs Magic in Literature

Megan Giddings: Why the World Still Needs Magic in Literature

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | August 25, 2022

The Annotated Nightstand: What Nina Mingya Powles is Reading Now and Next

The Annotated Nightstand: What Nina Mingya Powles is Reading Now and Next

A New (at Lit Hub) Series by Diana Arterian

By Diana Arterian | August 25, 2022

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Page 167 of 350
    • Thinking Outside the Cop: Using Game Wardens in Crime FictionJanuary 13, 2026 by Sarah Crouch
    • Make Our Villains Gayer, Please: Reclaiming the Trope of Queer-Coded AntagonistsJanuary 13, 2026 by Isha Raya
    • Ross Montgomery on Researching Profanity, Halley's Comet, and Writing Historical FictionJanuary 13, 2026 by Alex Dueben
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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