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The Art of the Mini Sales Pitch: How to Subtitle Your Book So People Will Read It

The Art of the Mini Sales Pitch: How to Subtitle Your Book So People Will Read It

Tajja Isen on Balancing the Demands of Marketing With Artistic Vision

By Tajja Isen | February 29, 2024

The 11 Best Book Covers of February

The 11 Best Book Covers of February

Winter’s Last Gasp (We Hope)

By Emily Temple | February 29, 2024

February’s Best Reviewed Fiction

February’s Best Reviewed Fiction

Featuring New Titles by Tommy Orange, Francis Spufford, Kelly Link, and More

By Book Marks | February 29, 2024

Adoption, Abortion, Autonomy: On the Literature of Reproductive Justice

Adoption, Abortion, Autonomy: On the Literature of Reproductive Justice

Gretchen Sisson Recommends Jessamine Chan, Ann Fessler, Dorothy Roberts, and More

By Gretchen Sisson | February 29, 2024

AudioFile’s Best Audiobooks of February

AudioFile’s Best Audiobooks of February

The Month in Literary Listening

By Audiofile Magazine | February 29, 2024

Rachel Bitecofer on Democratic Strategies to Counter Republicans in the 2024 Election

Rachel Bitecofer on Democratic Strategies to Counter Republicans in the 2024 Election

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | February 29, 2024

Best Reviewed
Books of the Week

  • Country People
  • You Won't Get Free of It: Stories of Mothers and Daughters
  • Exit Stalin: The Soviet Union as a Civilization, 1953-1991
  • A Sudden Flicker of Light: A Revisionist History of Movies
  • It Will Come Back to You: Collected Stories
  • Cloudthief
  • Cool Machine
  • Catch the Devil: A True Story of Murder, Deception, and Injustice on the Gulf Coast
  • Beginning Middle End
  • They Stole a City: Wilmington's White Supremacist Coup and the Families Who Live with Its Legacy

Literature’s Lonely Hunter: On the “Sad, Happy Life” of Carson McCullers

By Mary V. Dearborn | February 28, 2024

Tessa Hadley on Ivan Turgenev’s First Love

By Windham-Campbell Prizes Podcast | February 28, 2024

The Crooked Timber of the Mind: On the Rise of “Autojournalism”

By Robert Moor | February 27, 2024

Hannah Goldfield on the Joy of Describing Tastes

Hannah Goldfield on the Joy of Describing Tastes

In Conversation with Merve Emre on The Critic and Her Publics

By The Critic and Her Publics | February 27, 2024

Amitava Kumar on Finding Solace in the Words of Others

Amitava Kumar on Finding Solace in the Words of Others

“I was still reporting to my father, the things I had read and all that I had remembered.”

By Amitava Kumar | February 27, 2024

Martin MacInnes on Crafting Psychologically Rich Science Fiction

Martin MacInnes on Crafting Psychologically Rich Science Fiction

Jane Ciabattari Talks to the Author of “In Ascension”

By Jane Ciabattari | February 27, 2024

Tommy Orange! Carson McCullers! The Village Voice! 24 new books out today.

Tommy Orange! Carson McCullers! The Village Voice! 24 new books out today.

By Gabrielle Bellot | February 27, 2024

Matthew Salesses on the Possibilities of Climate Fiction

Matthew Salesses on the Possibilities of Climate Fiction

"If cli-fi acts as warning, and it is too late for warnings, what is the point? There must be another way."

By Matthew Salesses | February 23, 2024

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring New Titles by Leslie Jamison, Phillip B. Williams, Sarah Ruiz-Grossman, and More

By Book Marks | February 23, 2024

Leslie Jamison Writes Into the Trouble

Leslie Jamison Writes Into the Trouble

The Author of Splinters Takes the Lit Hub Questionnaire

By Literary Hub | February 22, 2024

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Page 140 of 473
    • 5 Must-Read Anthologies Out This YearAugust 5, 2026 by CrimeReads
    • On the Unfinished Nature of Bram Stoker’s Dracula: Pulling at Loose ThreadsAugust 5, 2026 by Charlotte Cross
    • Mark Edwards on Why Setting Is Just as Important as Plot and CharacterizationAugust 5, 2026 by Mark Edwards
    • Country People
    • The Best Reviewed Books of the Month
    • "Wonderfully dry intellectually frisky Mason is a lively fluid writer here he glides smoothly between…"
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