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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Advice
Elizabeth Graver and J.C. Hallman on the Blurred Boundaries between Fact and Fiction
"I’m interested in nostalgia and what it means to think you’re at the height of your life."
By
Literary Hub
| April 19, 2023
For teens who like to write: Miami Book Fair is offering a virtual summer camp.
By
Jonny Diamond
| April 18, 2023
Margo Jefferson on the Roots of Criticism
This Week on the
Talk Easy
Podcast with Sam Fragoso
By
Talk Easy
| April 18, 2023
A Shed of One’s Own (in Upstate New York)
Molly Prentiss on Trading Chaos for Quiet in Hopes of Writing
By
Molly Prentiss
| April 18, 2023
Katy Simpson Smith on Writing a Southern Woman Louder Than Herself
“Fiction, as it turns out, allowed me to finally speak.”
By
Katy Simpson Smith
| April 18, 2023
Ramona Ausubel on the Complexity of Families Both Human and Non-
Jane Ciabattari Talks to the Author of
The Last Animal
By
Jane Ciabattari
| April 18, 2023
Best Reviewed
Books of the Week
Ling Ling Huang on the Intersection of Classical Music and Writing
By
So Many Damn Books
| April 18, 2023
J. Ryan Stradal on Writing to Keep His Mom Alive
By
Otherppl with Brad Listi
| April 18, 2023
No One’s Suffering is Banal: Cathleen Schine on the Intricacy of Writing Trauma
By
First Draft: A Dialogue on Writing
| April 17, 2023
Gabrielle Octavia Rucker on the Power of Decentering Human Experience in Poetry
Peter Mishler Talks With the Author of
Dereliction
By
Peter Mishler
| April 17, 2023
The Bolt Bus Was My Biweekly Bardo: Life Between Writer and Daughter
Blair Hurley on the Inability to Sustain Her Writer-Self on Weekends
By
Blair Hurley
| April 17, 2023
Pattiann Rogers on the Scientific Underpinnings of Poetry
“Poets judge their own reactions to the words and the forms they have chosen.”
By
Pattiann Rogers
| April 14, 2023
Rachel Beanland on Managing Time in Fiction
On the Careful Balance Between Scene and Summary
By
Rachel Beanland
| April 14, 2023
On the Outsize Power of the Short Story (AKA the Genre of “High Genius”)
Daphne Kalotay Reminds Us of the Value of Short Fiction
By
Daphne Kalotay
| April 13, 2023
Is the Past a Literary Genre Unto Itself?
Sophie Mackintosh Speculates on the Nature of Historical Speculation
By
Sophie MacKintosh
| April 13, 2023
How Making Audio Erotica Helped Me Write Better Dialogue
Selene Ross on Harnessing the Power of Sound to Write Fiction
By
Selene Ross
| April 13, 2023
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Page 84 of 256
The Backlist: Reading John le Carré's 'The Little Drummer Girl' with I.S. Berry
October 24, 2025
by
Polly Stewart
Guillermo del Toro's New
Frankenstein
Adaptation is Life-Giving
October 24, 2025
by
Olivia Rutigliano
Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His Work
October 23, 2025
by
Stephen King
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"