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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Advice
Colson Whitehead on Blaxploitation Cinema, Sidney Lumet’s New York, and His Own Harlem Trilogy
The Author of Crook Manifesto Discusses the Latest Installment of his Sweeping Crime History of New York City.
By
Dwyer Murphy
| July 19, 2023
In Praise of Destruction: How Embracing Elimination Can Make Our Writing Better
Stephanie Bishop on Losing a Manuscript, Starting Over, and Learning to Swing a Literary Wrecking Ball at Her Work
By
Stephanie Bishop
| July 18, 2023
Chuck Tingle on How Writing is Like Driving, Being an Autistic Artist, and More
The Author of
Camp Damascus
Takes the Lit Hub Questionnaire
By
Literary Hub
| July 17, 2023
The Old Becomes the New: Lawrence Sutin on the Art of Transforming Books
“The freedom of erasure is its greatest allure.”
By
Lawrence Sutin
| July 17, 2023
Stephen Buoro on How
A Clockwork Orange
Shook His World
In Conversation with Mitzi Rapkin on the
First Draft Podcast
By
First Draft: A Dialogue on Writing
| July 17, 2023
Kellye Garrett Talks About the Idea of Community as Muse
From the
Write-minded
Podcast, Hosted by Brooke Warner and Grant Faulkner
By
Memoir Nation
| July 17, 2023
Best Reviewed
Books of the Week
Shin Yu Pai on Ten Thousand Things and the Asian-American Experience
By
History of Literature
| July 17, 2023
Megan Fernandes on the Literary Uses of a Room
By
Megan Fernandes
| July 14, 2023
Many Voices, Many Truths: On the Benefits of Polyvocal Stories
By
Hannah Michell
| July 14, 2023
Kevin R. Free on Developing Relationships with Authors and Characters
The 2023 Golden Voice Narrator in Conversation with Jo Reed
By
Behind the Mic
| July 14, 2023
Imposters, Insiders, and Interlopers: Amy Rowland on Writing About Rural America
“It doesn’t matter if you’re worthy of doing it. It matters that it’s worthy of doing.”
By
Amy Rowland
| July 13, 2023
Ruth Madievsky on the Semi-Cursed Nightlife of Los Angeles
In Conversation with Maris Kreizman on
The Maris Review
Podcast
By
The Maris Review
| July 13, 2023
Stranger Than Fiction: When Your Life Starts to Resemble Your Novel
Sandra A. Miller on Writing about True Events... and Living Fictional Ones
By
Sandra A. Miller
| July 13, 2023
Ivy Pochoda on Women, Violence, and Making the Move From Pro Sports to Writing
The Author of
Sing Her Down
Talks to Ona Russell in the New Season of Authors in the Tent
By
Authors in the Tent
| July 12, 2023
The Rest is History: Andrew Ridker on Writing About the Recent Past
“In a world that changes as rapidly as ours, all fiction is historical fiction.”
By
Andrew Ridker
| July 12, 2023
Inspiration, From a Distance: On Loving and Fictionalizing Ruth Bader Ginsburg
Elizabeth L. Silver Considers the Perks of a Near Miss
By
Elizabeth L. Silver
| July 12, 2023
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Page 73 of 257
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The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"