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Anne Lamott on Starting Where You Are

Anne Lamott on Starting Where You Are

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | August 29, 2023

Daniel Hornsby on the Charisma of a First-Person Narrator

Daniel Hornsby on the Charisma of a First-Person Narrator

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | August 29, 2023

Rebecca Carroll and Jeannine Ouellette on the Art of Memoir

Rebecca Carroll and Jeannine Ouellette on the Art of Memoir

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | August 28, 2023

Patrick Whitmarsh on Fiction's Response to Existential Crises

Patrick Whitmarsh on Fiction's Response to Existential Crises

From The History of Literature Podcast with Jacke Wilson

By History of Literature | August 28, 2023

Yves Jeffcoat on the Slow Work of Writing That Centers Identity

Yves Jeffcoat on the Slow Work of Writing That Centers Identity

"I am compelled to anatomize my being."

By Yves Jeffcoat | August 25, 2023

Jenn Shapland on Santa Fe and Fear of Cities

Jenn Shapland on Santa Fe and Fear of Cities

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | August 24, 2023

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

On the Bad Binary of "Good" and "Bad" Literature

By Josh Cook | August 23, 2023

The Long, Winding, Booby-Trapped, and Occasionally Rewarding Road to Publication

By Lou Mathews | August 23, 2023

Questioning Authority and Story: Emily Tesh, Vajra Chandrasekera, and Sophie Strand

By Tor Presents: Voyage into Genre | August 23, 2023

Unspendable Currency: Edgar Kunz on Making Ends Meet As a Poet

Unspendable Currency: Edgar Kunz on Making Ends Meet As a Poet

"The job makes the real work possible. The place you live is only as good as the life it allows."

By Edgar Kunz | August 22, 2023

Accounting for the Unaccountable: Daniel Johnson on Writing about His Friend, James Foley

Accounting for the Unaccountable: Daniel Johnson on Writing about His Friend, James Foley

On Memorializing a Meteoric Life After an Unimaginable Loss

By Daniel Brock Johnson | August 22, 2023

Sandra Cisneros on Her Mother and Studs Terkel

Sandra Cisneros on Her Mother and Studs Terkel

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | August 22, 2023

None of the Above: On Writing a Biracial Protagonist

None of the Above: On Writing a Biracial Protagonist

Claire Stanford Considers the Answers to Questions of Racial Representation and Identification

By Claire Stanford | August 21, 2023

The Revelatory Power of Being Sensitive

The Revelatory Power of Being Sensitive

Jenn Shapland on Her New, Boundary-Dissolving Collection, Thin Skin

By Jenn Shapland | August 21, 2023

Gish Jen and Peggy Orenstein on Storytelling and Legacy

Gish Jen and Peggy Orenstein on Storytelling and Legacy

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | August 21, 2023

Vanessa Riley on Haiti's Only Queen

Vanessa Riley on Haiti's Only Queen

From The History of Literature Podcast with Jacke Wilson

By History of Literature | August 21, 2023

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    • The Clarity of Darkness: Margot Douaihy on Why Noir Feels So Relevant TodayJanuary 12, 2026 by Margot Douaihy
    • The Deadly Art of Falling in Love: Blending Romance and Crime in LiteratureJanuary 12, 2026 by Letizia Lorini
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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