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Diane Seuss on Discovering Objectivity Through Aging

Diane Seuss on Discovering Objectivity Through Aging

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 11, 2024

What Writers Can Learn From Adapting Their Own Work for the Screen

What Writers Can Learn From Adapting Their Own Work for the Screen

Sarah Tomlinson on the Slow Yet Satisfying Process of Getting a Book on Film

By Sarah Tomlinson | March 11, 2024

Armen Davoudian on Immigration, Enjambments, and How Poems Can Make Loss Tangible

Armen Davoudian on Immigration, Enjambments, and How Poems Can Make Loss Tangible

The Author of “The Palace of Forty Pillars” in Conversation with Poets.org

By Literary Hub | March 11, 2024

Neely Tubati-Alexander on Light-Hearted Writing

Neely Tubati-Alexander on Light-Hearted Writing

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | March 11, 2024

Jennifer Croft on Photography as an Unexpected Writing Tool

Jennifer Croft on Photography as an Unexpected Writing Tool

“It allows me to reframe the central questions of my work.”

By Jennifer Croft | March 8, 2024

Caught Between Zodiacs: A Capricorn Daughter Remembers Her Translator Father

Caught Between Zodiacs: A Capricorn Daughter Remembers Her Translator Father

Grace Loh Prasad Looks For Meaning in the Space Between Western and Chinese Astrology

By Grace Loh Prasad | March 8, 2024

Best Reviewed
Books of the Week

  • They
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  • Eradication: A Fable
  • The Boundless Deep: Young Tennyson, Science and the Crisis of Belief
  • The Last Kings of Hollywood: Coppola, Lucas, Spielberg—And the Battle for the Soul of American Cinema
  • End of Days: Ruby Ridge, the Apocalypse, and the Unmaking of America

Am I the Literary Asshole: Do You Have to Finish a Book to Blurb It?

By Kristen Arnett | March 7, 2024

A Subterranean Kinship: Rachel Lyon and Leslie Jamison on Writing Separate But Related Books

By Leslie Jamison | March 6, 2024

Jacke Wilson on Samuel Taylor Coleridge

By History of Literature | March 6, 2024

I Would Be Lost As a Writer If It Weren’t For Notebooks

I Would Be Lost As a Writer If It Weren’t For Notebooks

Cristina Henriquez on the Unexpected Power of Getting (and Almost Losing) a Notebook

By Cristina Henriquez | March 5, 2024

Brandi Wells on Their Muppet Baby Muses

Brandi Wells on Their Muppet Baby Muses

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | March 5, 2024

Sloane Crosley on Staying on the Side of the Living

Sloane Crosley on Staying on the Side of the Living

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 4, 2024

Javier Zamora on Strategies for Writing About Childhood Trauma

Javier Zamora on Strategies for Writing About Childhood Trauma

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | March 4, 2024

Imagining a World Where Anti-Colonial Fantasy Lit Is the Norm, Not the Exception

Imagining a World Where Anti-Colonial Fantasy Lit Is the Norm, Not the Exception

Melissa Blair on Writing the Indigenous-Centered Book She Wanted as a Schoolchild

By Melissa Blair | March 1, 2024

The Art of the Mini Sales Pitch: How to Subtitle Your Book So People Will Read It

The Art of the Mini Sales Pitch: How to Subtitle Your Book So People Will Read It

Tajja Isen on Balancing the Demands of Marketing With Artistic Vision

By Tajja Isen | February 29, 2024

Tessa Hadley on Ivan Turgenev’s <em>First Love</em>

Tessa Hadley on Ivan Turgenev’s First Love

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | February 28, 2024

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Page 61 of 264
    • Why Fictional Detectives Should Have Friends (and Katie Siegel Is Sad If They Don't)February 18, 2026 by Katie Siegel
    • The Best Debut Novels of the Month: February 2026February 18, 2026 by CrimeReads
    • The Only Mob Boss Fried in Old SparkyFebruary 18, 2026 by Jeffrey Sussman
    • They
    • The Best Reviewed Books of the Week
    • "a succession of nine quietly horrifying stories from a dystopian pastorally radiant England The novella…"
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