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Lori Ostlund on Finding Endings

Lori Ostlund on Finding Endings

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 23, 2025

Jennifer Croft on Illustrations and Photos in Memoir

Jennifer Croft on Illustrations and Photos in Memoir

From the Memoir Nation Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | June 23, 2025

Pep Talks That I Give to Authors That I Will Now Give to Myself

Pep Talks That I Give to Authors That I Will Now Give to Myself

In Which Maris Kreizman Attempts to Take Her Own Advice

By Maris Kreizman | June 20, 2025

Kate McKean on the Nuts and Bolts of the Query Letter

Kate McKean on the Nuts and Bolts of the Query Letter

Or, How to Do a Lot in a Little Space

By Kate McKean | June 20, 2025

How Four Literary Icons Chose the Pen Names That Made Them Famous

How Four Literary Icons Chose the Pen Names That Made Them Famous

Kirsty McHugh and Ian Scott Explore the Reasoning Behind Some Very Well Known Pseudonyms

By Kirsty McHugh and Ian Scott | June 20, 2025

Less Matters More: Joanna Walsh on the Expansive Possibilities of the Short Story

Less Matters More: Joanna Walsh on the Expansive Possibilities of the Short Story

“The memory of these fragments is always created, as a matter of reconstruction. And creation is always hope.”

By Joanna Walsh | June 18, 2025

Best Reviewed
Books of the Week

  • Transcription
  • London Falling: A Mysterious Death in a Gilded City and a Family's Search for Truth
  • Attention: Writing on Life, Art, and the World
  • The Oyster Diaries
  • Yesteryear
  • Here Where We Live Is Our Country: The Story of the Jewish Bund

Sigrid Nunez on F. Scott Fitzgerald’s The Great Gatsby

By Windham-Campbell Prizes Podcast | June 18, 2025

Nicholson Baker on the Unsung Pleasures of the World

By Thresholds | June 18, 2025

Leo Carey on What’s Not There

By The Critic and Her Publics | June 17, 2025

What Does It Mean To Be a Working Class Writer at Iowa Writers’ Workshop?

What Does It Mean To Be a Working Class Writer at Iowa Writers’ Workshop?

Lee Cole on the Absence of Working Class Perspectives in our Literary Institutions

By Lee Cole | June 17, 2025

Visionary Ways of Caring: Five Books That Capture the Expansiveness of Queer Love

Visionary Ways of Caring: Five Books That Capture the Expansiveness of Queer Love

Dylin Hardcastle Recommends Alana Portero, James Baldwin, Lars Horn, and More

By Dylin Hardcastle | June 16, 2025

Interdisciplinary Magic: What the Humanities Can Reveal About Scientific Pursuits

Interdisciplinary Magic: What the Humanities Can Reveal About Scientific Pursuits

Robert P. Baird on His Transformative Academic and Literary Journey From Engineer to Writer

By Robert P. Baird | June 16, 2025

Against Homophobic Traditionalism: The Revelations of Writing Queer Historical Fiction

Against Homophobic Traditionalism: The Revelations of Writing Queer Historical Fiction

Phil Melanson Argues on Leonardo da Vinci, Bad Reviews, and Bucking History'’s Heteronormativity

By Phil Melanson | June 16, 2025

Power, Motherhood and Murder: On the Life and Death of Agrippina the Younger

Power, Motherhood and Murder: On the Life and Death of Agrippina the Younger

Diana Arterian Explores the All-Consuming Ancient Obsession Behind Her Latest Poetry Collection

By Diana Arterian | June 16, 2025

Ethan Rutherford on Making Something from Nothing

Ethan Rutherford on Making Something from Nothing

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 16, 2025

Sara Kehaulani Goo on Writing as Kuleana

Sara Kehaulani Goo on Writing as Kuleana

From the Memoir Nation Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | June 16, 2025

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Page 32 of 337
    • The Best International Fiction of April 2026April 16, 2026 by Molly Odintz
    • Jane Harper on Australian Crime Fiction, Settings, and Crafting Slow-Burn SuspenseApril 16, 2026 by John B. Valeri
    • Your Orient Express Reading List: From Lonely PlanetApril 16, 2026 by Helena Smith
    • Transcription
    • The Best Reviewed Books of the Week
    • "There is so much silence in this novel so much air A novel speaks yes…"
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