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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Advice
Gemma Tizzard on Researching for Historical Fiction
“It’s not a job for the faint of heart, or the impatient. But for those of us with brains that crave this kind of work, it is bliss.”
By
Gemma Tizzard
| January 24, 2025
Ugh, I’m in My Friend’s Autofiction and I Hate It: Am I the Literary Asshole?
Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior
By
Kristen Arnett
| January 23, 2025
The Shape of a Story: On Losing (and Finding) the Plot of Your Novel
Emma Knight: “As the character in this story, I’ve evolved at least to this extent: it’s no longer plot I’m afraid of.”
By
Emma Knight
| January 23, 2025
Betty Shamieh on the Next Generation of Palestinian Fiction
The Author of “Too Soon” Considers Her Novel in Relation to Etaf Rum, Hala Alyan, and the Politics of Influence
By
Betty Samieh
| January 22, 2025
“When I Quit Drinking I Quit Writing.” Matthew Nienow on Stumbling Back Into Poetic Vulnerability
“I wrote into that darkness because that kind of honesty was the only thing that felt right.”
By
Matthew Nienow
| January 22, 2025
Adrian Matejka and Austin Araujo Are “Whole-Neighborhood” Poets
In Conversation with Lena Crown on Awakeners
By
awakeners
| January 22, 2025
Best Reviewed
Books of the Week
Trump 2.0: What the Book World Should Do Now
By
Josh Cook
| January 21, 2025
Sara Sligar on Modernizing an 18th-Century Literary Cult Classic
By
Jane Ciabattari
| January 21, 2025
Lee Wind on Creating the Heroes You Want to See in the World
By
Memoir Nation
| January 21, 2025
David Wroblewski on Writing by Brute Force
In Conversation with Mitzi Rapkin on the First Draft Podcast
By
First Draft: A Dialogue on Writing
| January 21, 2025
Erika Swyler on Worldbuilding as Set Design
“Remember that every bit of worldbuilding that makes it to the page adds to the set, and stage space is limited.”
By
Erika Swyler
| January 17, 2025
How to Talk About Your Own Book
Maris Kreizman’s Advice (to Herself) on Self-Promotion
By
Maris Kreizman
| January 16, 2025
The Annotated Nightstand: What Aria Aber Is Reading Now, and Next
Featuring Han Kang, Isabella Hammad, Alice Notley, and Others
By
Diana Arterian
| January 16, 2025
The Danger of Lowering Your Heart’s Volume: On the Writing of Ross Gay and Amy Leach
Criticism by Jane Zwart, From the Latest Issue of “Image” Magazine
By
Jane Zwart
| January 15, 2025
My Cherished Friend, My Cursed Rival: On the Perils of Literary Envy
Layne Fargo Explores the Power of Celebrating Others' Literary Success (and Why Their Success Is Also Yours)
By
Layne Fargo
| January 15, 2025
From Ancient Troy to 1990s Tennessee: Maria Zoccola on Creating an Afterlife For Homer’s Helen
“We’re raising eidolons, real and not-real, tales that move and breathe and stand side by side, speaking Troy into the future.”
By
Maria Zoccola
| January 14, 2025
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Page 28 of 256
The Wild Ride Behind Spike Lee's Latest NYC Opus, 'Highest 2 Lowest'
October 30, 2025
by
Patrick J. Sauer
Weird Girl Lit Galore: 10 Novels Featuring Unabashedly Unhinged Female Characters
October 30, 2025
by
Heather Colley
5 Central Texas Hubs for Horror Books and Movies
October 30, 2025
by
Jess Hagemann
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"