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A Different Side of the Self: On Finding Freedom By Telling My Story in English

A Different Side of the Self: On Finding Freedom By Telling My Story in English

Atash Yaghmaian: “In English, I’m just someone—free, unclaimed, and therefore, for the first time, self-defined.”

By Atash Yaghmaian | November 6, 2025

What Happened to My Political Novel When I Resisted Satire and Leaned Into Idealism

What Happened to My Political Novel When I Resisted Satire and Leaned Into Idealism

How Brian Schaefer‘s Town & Country Went From Snarky to Sincere

By Brian Schaefer | November 5, 2025

Georgi Gospodinov on the Loss of His Father and Writing About Death

Georgi Gospodinov on the Loss of His Father and Writing About Death

The Author of Death and the Gardener in Conversation with His Translator, Angela Rodel

By Angela Rodel | November 5, 2025

Creating Without Inhibition: In Praise of Making Bad Art

Creating Without Inhibition: In Praise of Making Bad Art

Anna Hogeland: ”I could only make good art if I made bad art, too, and so I began making bad art an integral part of my creative practice.”

By Anna Hogeland | November 5, 2025

The Invitation of Brevity: Ten Novels in Verse That Will Hook You

The Invitation of Brevity: Ten Novels in Verse That Will Hook You

Amber McBride Recommends Anne Carson, Ibi Zoboi, Jason Reynolds, and More

By Amber McBride | November 5, 2025

Finding the Truth In the Imaginary: On “Accurately” Writing About Time Travel

Finding the Truth In the Imaginary: On “Accurately” Writing About Time Travel

Aja Gabel Offers Some Tips For Crafting Scientifically and Emotionally Sound Speculative Fiction

By Aja Gabel | November 4, 2025

Best Reviewed
Books of the Week

  • Permanence
  • No Way Home
  • Muskism: A Guide for the Perplexed
  • Small Town Girls: A Writer's Memoir
  • Last Night in Brooklyn
  • If This Be Magic: The Unlikely Art of Shakespeare in Translation

Jodi-Ann Burey on Speechwriting, Authenticity, and Adapting Her TED Talk into a Book

By Claire Dederer | November 4, 2025

The Epiphany in the Ordinary: A Conversation With Teju Cole

By Jennifer Acker | November 3, 2025

E. Jean Carroll on Writing on Trial

By Memoir Nation | November 3, 2025

Happy Halloween from <em>The Lit Hub Podcast</em>

Happy Halloween from The Lit Hub Podcast

trick or treat!

By The Lit Hub Podcast | October 31, 2025

Reading Anne Sexton’s Rejected Horror Stories

Reading Anne Sexton’s Rejected Horror Stories

“Imperfect and thorny, but just strange enough to kindle fear.”

By Nick Ripatrazone | October 31, 2025

Catherine Newman on the Humor of the Unexpected

Catherine Newman on the Humor of the Unexpected

“Anything catching on fire and crashing through the chimney into the living room is funny—but it’s really funny if it’s raccoons.”

By Catherine Newman | October 31, 2025

Feeding Our Ghosts: How Food Invokes Memories of Ones Loved and Lost

Feeding Our Ghosts: How Food Invokes Memories of Ones Loved and Lost

Daria Lavelle on the Bond Between Taste and the Departed

By Daria Lavelle | October 31, 2025

Yes, You Are the Literary Asshole If You Use AI to Edit Your Fiction

Yes, You Are the Literary Asshole If You Use AI to Edit Your Fiction

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | October 30, 2025

Porn, But Also Literature: On John Cleland’s <em>Fanny Hill</em>

Porn, But Also Literature: On John Cleland’s Fanny Hill

A Conversation Between Chelsea G. Summers and Jessica Stoya

By Chelsea G. Summers and Jessica Stoya | October 30, 2025

Why I Give My Books Away For Free

Why I Give My Books Away For Free

Shane Hinton Won’t Let Money Stand in the Way of a Potential Reader

By Shane Hinton | October 29, 2025

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Page 18 of 338
    • How Some Crime Writers Are Finding a New Path to PublishingMay 1, 2026 by Keith Roysdon
    • Lynn Cahoon on Choosing Whether to Set Cozies in Real or Fictional PlacesMay 1, 2026 by Lynn Cahoon
    • MWA Announces the 2026 Edgar Award WinnersApril 30, 2026 by CrimeReads
    • Permanence
    • The Best Reviewed Books of the Week
    • "Mackintosh has a spare and confident hand Her work is sometimes described as dreamlike certainly…"
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