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Tom Perrotta on How to Keep a Story’s Momentum Going

Tom Perrotta on How to Keep a Story’s Momentum Going

And the Beauty of a Clear Time Frame

By Tom Perrotta | June 10, 2022

What Draws Us to Certain Classic Texts Over Others?

What Draws Us to Certain Classic Texts Over Others?

Five Writers on Yeats, Dickinson, Issa, Woolf, and Herrick

By Micro Podcast | June 10, 2022

From Mary Churchill’s Diary: An Intimate Glimpse of World War II

From Mary Churchill’s Diary: An Intimate Glimpse of World War II

“Glory Hallelujah!! A delicious poke in the snoot for Hitler.”

By Mary Churchill | June 10, 2022

Catherine Lloyd on Writing Historical Characters with Progressive Views

Catherine Lloyd on Writing Historical Characters with Progressive Views

In Conversation with C. P. Lesley on the New Books Network

By New Books Network | June 10, 2022

Sloane Crosley on Writing a Novel For People Who Haven’t Figured It Out Yet

Sloane Crosley on Writing a Novel For People Who Haven’t Figured It Out Yet

Kristin Iversen Talks to the Author of Cult Classic

By Kristin Iversen | June 9, 2022

Who Are the “Real” Writers, Anyway?

Who Are the “Real” Writers, Anyway?

Read Leigh Newman's Speech From the One Story Literary Debutante Ball

By Leigh Newman | June 9, 2022

Best Reviewed
Books of the Week

  • Departure(s)
  • The Flower Bearers
  • Eating Ashes
  • Every One Still Here: Stories
  • Once There Was a Town: The Memory Books of a Lost Jewish World
  • The Typewriter and the Guillotine: An American Journalist, a German Serial Killer, and Paris on the Eve of WWII

Dan Chaon on When Science Fiction Is No Longer Science Fiction

By The Maris Review | June 9, 2022

Ryan O’Connell on the Importance of Facing Rejection in the Sack and Finding His Voice in Hollywood

By Greg Marshall | June 9, 2022

WATCH: Why James Patterson no longer introduces himself to people reading his books.

By Jonny Diamond | June 8, 2022

Why Writers Need to Confront and Create With Their Most Unpleasant Emotions

Why Writers Need to Confront and Create With Their Most Unpleasant Emotions

Philip Schultz Discusses the Creative Power Behind Anger and Shame

By Philip Schultz | June 8, 2022

Why I Make Rules for My Writing Students—And Why I Break Them

Why I Make Rules for My Writing Students—And Why I Break Them

Adam White on Teaching Writing (and Jack Nicklaus)

By Adam White | June 8, 2022

Elissa Washuta on Reckoning with the Insoluble Puzzles of the Universe

Elissa Washuta on Reckoning with the Insoluble Puzzles of the Universe

In Conversation with Jordan Kisner on Thresholds

By Thresholds | June 8, 2022

Abbigail Nguyen Rosewood on “Literary Destiny” and the Topics of Our Obsession

Abbigail Nguyen Rosewood on “Literary Destiny” and the Topics of Our Obsession

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | June 8, 2022

Not Your Stock Grandma: On a Refreshing (and Relatable) Character in <em>Dicey’s Song</em>

Not Your Stock Grandma: On a Refreshing (and Relatable) Character in Dicey’s Song

This Week on the NewberyTart Podcast

By NewberyTart | June 8, 2022

Sasha Fletcher on Finding Structure Everywhere

Sasha Fletcher on Finding Structure Everywhere

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | June 7, 2022

WATCH: Rachel Howzell Hall on Why Crime Captures Every Genre of Writing

WATCH: Rachel Howzell Hall on Why Crime Captures Every Genre of Writing

This Week on Our Video Series Authors in the Tent, Hosted by Ona Russell

By The Virtual Book Channel | June 7, 2022

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Page 131 of 263
    • William J. Mann on Rumors, the Press, and the Black Dahlia Murder's Enigmatic PlayersJanuary 27, 2026 by William J. Mann
    • Val McDermid on Why She Starts New Novels in JanuaryJanuary 27, 2026 by Val McDermid
    • How Agatha Christie Played the "Game-within-the-Game" in 'The Murder of Roger Ackroyd'January 27, 2026 by John Curran
    • Departure(s)
    • The Best Reviewed Books of the Week
    • "Slim and stark Barnes s prose is largely stripped bare it resembles a tall ship…"
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