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  • Craft and Criticism
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Annie Harnett on What Living in a Cemetery Meant to Her Novel

Annie Harnett on What Living in a Cemetery Meant to Her Novel

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | May 19, 2022

Looking to Songs and Sermons to Structure a Memoir About Fighting for Black Lives

Looking to Songs and Sermons to Structure a Memoir About Fighting for Black Lives

Andre Henry on Pulling from the Genres that Shaped His Life

By Andre Henry | May 19, 2022

Mary Laura Philpott on Why Structure Is Always Story

Mary Laura Philpott on Why Structure Is Always Story

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | May 18, 2022

What Do Writing a Novel and Tending a Garden Have in Common?

What Do Writing a Novel and Tending a Garden Have in Common?

Naheed Phiroze Patel on the Life-Long Projects of Writing and Gardening

By Naheed Phiroze Patel | May 18, 2022

You Can’t Have Creativity Without Boredom

You Can’t Have Creativity Without Boredom

Aaron Angello on the Stillness of the Imaginative Mind

By Aaron Angello | May 18, 2022

How War Literature Occupies the Realms of Both Fact and Fiction

How War Literature Occupies the Realms of Both Fact and Fiction

Phil Klay on Maintaining Verisimilitude When Writing About War

By Phil Klay | May 17, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Emma Straub’s Advice for What to Wear to a Book Launch

By Emma Straub | May 17, 2022

Victoria Shorr on the Art of the Novella

By Victoria Shorr | May 17, 2022

Vanessa Hua on Writing About the Forgotten Women in Mao’s Inner Circle

By Jane Ciabattari | May 17, 2022

Ada Limón on Why Being Witnessed Is Essential For an Artist

Ada Limón on Why Being Witnessed Is Essential For an Artist

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 16, 2022

On the Power and Purpose of Historical Fiction

On the Power and Purpose of Historical Fiction

A Conversation Between Eva Stachniak and Christina Baker Kline

By Literary Hub | May 16, 2022

On My Love of Libraries: Lessons From My Father

On My Love of Libraries: Lessons From My Father

Rachel M. Harper: “I was a fellow worshipper, a member of the tribe; his daughter.”

By Rachel M. Harper | May 16, 2022

Live at the Red Ink Series: On Writing and Dreams

Live at the Red Ink Series: On Writing and Dreams

Featuring Claire Messud, Julia May Jonas, Jean Chen Ho, Emily Maloney, and Daphne Palasi Andreades

By Michele Filgate | May 16, 2022

Ada Limón on How to Write a Poetry Collection

Ada Limón on How to Write a Poetry Collection

"No one can predict the creative process."

By Ada Limón | May 13, 2022

The Purpose of Book Bans Is to Make Queer Kids Scared

The Purpose of Book Bans Is to Make Queer Kids Scared

Lev AC Rosen on Having His Book Banned, and the Repetition of History

By Lev AC Rosen | May 13, 2022

Erica Ruth Neubauer on Mysteries, Her Many Careers, and the Google Search That Started Her Novel

Erica Ruth Neubauer on Mysteries, Her Many Careers, and the Google Search That Started Her Novel

In Conversation with C. P. Lesley on the New Books Network

By New Books Network | May 13, 2022

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Page 129 of 257
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    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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