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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
  • Fiction and Poetry
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    • From the Novel
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  • News and Culture
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Sandra Cisneros on the Private Act of Writing Poetry

Sandra Cisneros on the Private Act of Writing Poetry

“I find writing poetry a most subversive act.”

By Sandra Cisneros | September 30, 2022

How to Love to Your Horrible Little Goblins (and Other Advice from Calvin Kasulke)

How to Love to Your Horrible Little Goblins (and Other Advice from Calvin Kasulke)

Also, Don’t Organize Your Bookshelves!

By Literary Hub | September 30, 2022

George Takei, Philip Kan Gotanda, and Others Discuss <em>Sisters Matsumoto</em>

George Takei, Philip Kan Gotanda, and Others Discuss Sisters Matsumoto

Hear a Moving Post-Play Panel Discussion

By Audiobook Break | September 30, 2022

Thrifted Suits, Gender Anarchy, and the Power of a Writing Uniform

Thrifted Suits, Gender Anarchy, and the Power of a Writing Uniform

Heidi Sopinka on Sartorial Experimentation

By Heidi Sopinka | September 29, 2022

WATCH: Saeed Jones on the Apocalypse as a State of Being

WATCH: Saeed Jones on the Apocalypse as a State of Being

In Conversation with Adam Falkner at Greenlight Bookstore

By The Virtual Book Channel | September 29, 2022

Jasmine Guillory on Why Rom-Coms Are Exactly What We Need Right Now

Jasmine Guillory on Why Rom-Coms Are Exactly What We Need Right Now

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | September 29, 2022

Best Reviewed
Books of the Week

  • The Pelican Child: Stories
  • Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025
  • On the Calculation of Volume (Book III)
  • The Ferryman and His Wife
  • Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult
  • Mexico: A 500-Year History

In Praise of TK: Why the Handy Shorthand Has a Surprising Emotional Hold on Me

By Sophie Vershbow | September 29, 2022

Jonathan Escoffery Talks About How Belonging Shifts Across Generations

By Fiction Non Fiction | September 29, 2022

Saeed Jones on the Poetic Economy of Language

By The Writers Institute | September 29, 2022

WATCH: Emma Ramadan on Translating Marguerite Duras’s <em>Panics</em>

WATCH: Emma Ramadan on Translating Marguerite Duras’s Panics

In Conversation with Kate Zambreno at Greenlight Bookstore

By The Virtual Book Channel | September 28, 2022

How Amnesia Helped Ingrid Rojas Contreras Tell Her Family’s Stories

How Amnesia Helped Ingrid Rojas Contreras Tell Her Family’s Stories

In Conversation with Jordan Kisner on Thresholds

By Thresholds | September 28, 2022

Chelsea Martin on Accepting Her Writing Voice

Chelsea Martin on Accepting Her Writing Voice

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | September 28, 2022

Kamila Shamsie on Finding the Perfect Writing Space

Kamila Shamsie on Finding the Perfect Writing Space

“Perhaps there is no such thing as my writing space except wherever I happen to find myself.”

By Kamila Shamsie | September 27, 2022

Hafizah Augustus Geter on Personhood, Race, and Origin in America Today

Hafizah Augustus Geter on Personhood, Race, and Origin in America Today

In Conversation with Andrew Keen on Keen On

By Keen On | September 27, 2022

Yiyun Li on Writing Advice (the Good, the Bad) and the Books She Always Returns To

Yiyun Li on Writing Advice (the Good, the Bad) and the Books She Always Returns To

The Author of The Book of Goose Takes the Lit Hub Questionnaire

By Literary Hub | September 26, 2022

Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman

Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman

What It Means to Write in the Direction of Darkness

By Stacey D'Erasmo | September 26, 2022

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Page 112 of 259
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    • Breaking In: A Field Guide to Heist Plot TypesNovember 21, 2025 by Norman Birnbach and Tilia Klebenov Jacobs
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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