Christine Sneed on Leaning Into the Absurdity of Office Life

Christine Sneed on Leaning Into the Absurdity of Office Life

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | January 10, 2023

That’s Not Typing, It’s Writing: How T. S. Eliot Wrote “The Waste Land”

That’s Not Typing, It’s Writing: How T. S. Eliot Wrote “The Waste Land”

“With me an unfinished thing is a thing that might as well be rubbed out.”

By Matthew Hollis | January 9, 2023

Peter Cole on Making the Poetic Abstract Concrete

Peter Cole on Making the Poetic Abstract Concrete

The Poet on His New Collection Draw Me After

By Literary Hub | January 9, 2023

“The Best Story I’ve Ever Written is the One I’m Going to Write Next.” Jack Driscoll on His Stylistic Expansion

“The Best Story I’ve Ever Written is the One I’m Going to Write Next.” Jack Driscoll on His Stylistic Expansion

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 9, 2023

Nothing is Real: Craig Brown on the Slippery Art of Biography

Nothing is Real: Craig Brown on the Slippery Art of Biography

“Biography as a form is necessarily artificial. In the end, all biography is a form of fiction.”

By Craig Brown | January 8, 2023

The Sanctity of a Journal: On Private Writing in the Age of Public Content

The Sanctity of a Journal: On Private Writing in the Age of Public Content

“What stories do we owe each other—ourselves?”

By Rachel Schwartzmann | January 6, 2023

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We Can’t Do It: How Women’s Contributions to Fighting Fascism Were Forgotten

By Natasha Lester | January 6, 2023

Gerald Stern on the Accidental Beginnings of Poems

By Gerald Stern | January 6, 2023

Annalee Newitz on Writing Stories That Reveal a Pathway Out of Dark Times

By New Books Network | January 6, 2023

Kashana Cauley on How the Black Panthers Inspired Our Modern Gun Control Movement

Kashana Cauley on How the Black Panthers Inspired Our Modern Gun Control Movement

This Week on The Maris Review

By The Maris Review | January 5, 2023

<em>Brotherless Night</em> & Friends: V.V. Ganeshananthan with Curtis Sittenfeld and Whitney Terrell on Editing A Work in Progress

Brotherless Night & Friends: V.V. Ganeshananthan with Curtis Sittenfeld and Whitney Terrell on Editing A Work in Progress

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | January 5, 2023

On Translation and the (Temporary) Inheritance of Trauma

On Translation and the (Temporary) Inheritance of Trauma

Yardenne Greenspan Considers What It Means to Truly Inhabit an Author’s Work

By Yardenne Greenspan | January 4, 2023

Bill McKibben on the Joys of Writing a Serialized Novel

Bill McKibben on the Joys of Writing a Serialized Novel

Why Weekly Installments Can Make For the Best Kind of Storytelling

By Bill McKibben | January 4, 2023

Why I Had to Get Older to Write About Youth

Why I Had to Get Older to Write About Youth

Allegra Goodman on Finding the Necessary Distance to Write up Close

By Allegra Goodman | January 4, 2023

On Transforming Oral History Into Historical Fiction

On Transforming Oral History Into Historical Fiction

Aanchal Malhotra Tells the Story of Indian Partition

By Aanchal Malhotra | January 4, 2023

On Authenticity, Research, and Writing From the Diaspora

On Authenticity, Research, and Writing From the Diaspora

V.V. Ganeshananthan on Writing About Sri Lanka

By V.V. Ganeshananthan | January 4, 2023

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