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Literary Criticism
Omar El Akkad! Ada Calhoun! Joni Mitchell! 26 new books out today.
By
Gabrielle Bellot
| February 25, 2025
Paul Lisicky on Joni Mitchell, Anti-Memoirs, and How Songwriting Influences His Nonfiction
The Author of “Song So Wild and Blue” in Conversation with Emma Copley Eisenberg
By
Emma Copley Eisenberg
| February 24, 2025
Just a Little Blip: A Conversation with Sheila Heti
Fiona Warnick Talks to the Author of “Alphabetical Diaries” About AI, Writing for Children, and the Negotiation of Public and Private Selves
By
Fiona Warnick
| February 24, 2025
Elaine Equi on Blankness, Condensing Verse, and the Joy of Writing Short Poems
The Author of “Out of the Blank” in Conversation with Poets.org
By
Literary Hub
| February 24, 2025
What Should You Read Next? Here Are the Best Reviewed Books of the Week
Featuring Lorne Michaels, Eric Puchner, Jane Austen, and More
By
Book Marks
| February 21, 2025
Eric Puchner: How to Be Funny When Writing a Novel
“When in doubt, leave the reaction out.”
By
Eric Puchner
| February 21, 2025
Best Reviewed
Books of the Week
Clinging to an Ardent Hope: Eli Zuzovsky on Film, Selfhood, and Being an Israeli Writer Today
By
Eli Zuzovsky
| February 21, 2025
WG Sebald’s
Rings of Saturn
Might Be the Perfect Climate Change Novel
By
Madeleine Watts
| February 20, 2025
Am I the Literary Asshole for Thinking All Book Covers Look the Same?
By
Kristen Arnett
| February 20, 2025
What to Read Before and After Seeing
Art Spiegelman: Disaster is my Muse
Readings on the Life, Works, and Legacy of Art Spiegelman
By
Olivia Rutigliano
| February 20, 2025
5 Book Reviews You Need to Read This Week
“The book’s effect is hypnotically telescopic, a vision of people we come to know across decades.”
By
Book Marks
| February 20, 2025
Nicholas Fandos on New York Politics, Eric Adams, and Trump
In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction
By
Fiction Non Fiction
| February 20, 2025
RaMell Ross on Adapting Colson Whitehead, Black Subjectivity, and the Epic Banal
"The god of the camera is a colonizer but a cul-de-sac history of exploitation is held in black skin.”
By
Brittany Allen
| February 19, 2025
How Walking Shaped Simone and Hélène de Beauvoir's Art and Thought
Annabel Abbs-Streets on the Idiosyncratic Way the Beauvoirs Hiked Through the World
By
Annabel Abbs
| February 19, 2025
Who Were the Women Novelists Who Really Inspired Jane Austen?
Rebecca Romney on Unearthing a Legacy of Systematic Literary Erasure
By
Rebecca Romney
| February 19, 2025
How the Kremlin’s Truly Epic Adaptation of
War and Peace
Helped Me Write a Novel
Elyse Durham on Sergei Bondarchuk’s Seven-Hour Cinematic Classic
By
Elyse Durham
| February 19, 2025
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Page 43 of 353
Why Horror Is the Perfect Genre for Processing Trauma
February 4, 2026
by
Christina Ferko
The Most Unhinged Women in Fiction (That Marisa Walz Would Still Invite to Brunch)
February 4, 2026
by
Marisa Walz
Sherlock Holmes and Me—Together Again
February 4, 2026
by
Jeffrey Siger
The Best Reviewed Books of the Month
"Poignant Tender The final line of em The Rest of Our Lives em is by…"