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  • Craft and Criticism
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    • Craft and Advice
    • In Conversation
    • On Translation
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    • From the Novel
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    • The Lit Hub Podcast
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    • Memoir Nation
    • Beyond the Page
    • First Draft: A Dialogue on Writing
    • Thresholds
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Robin Sloan on Social Media After Twitter

Robin Sloan on Social Media After Twitter

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | July 27, 2023

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

"I went through this, she says, so maybe you won’t have to.”

By Book Marks | July 27, 2023

Donovan X. Ramsey on How Media Sensationalized Crack

Donovan X. Ramsey on How Media Sensationalized Crack

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | July 27, 2023

Weird, funny, dark children's books that I can recommend (as an adult, however).

Weird, funny, dark children's books that I can recommend (as an adult, however).

By Janet Manley | July 26, 2023

The New Sex Writing: In Praise of the

The New Sex Writing: In Praise of the "Idiotic Erotic"

Tamara Faith Berger on Letting the Sluts Speak

By Tamara Faith Berger | July 26, 2023

A Queer Reimagining of James Joyce's <em>Ulysses</em> in Northern England

A Queer Reimagining of James Joyce's Ulysses in Northern England

Helen Palmer on Why She Chose 1990s Blackpool for the Setting of Pleasure Beach

By Helen Palmer | July 26, 2023

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Jonathan Galassi Remembers His Friend, the Great Robert Gottlieb

By Jonathan Galassi | July 25, 2023

Terrance Hayes Remembers Lucie Brock-Broido and Her Immortal Poetic Cats

By Terrance Hayes | July 25, 2023

Wang Xiaobo on the Limitless Mind of Italo Calvino

By Wang Xiaobo | July 25, 2023

Jasmine Lee-Jones on Lorraine Hansberry's <em>A Raisin in the Sun</em>

Jasmine Lee-Jones on Lorraine Hansberry's A Raisin in the Sun

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | July 25, 2023

On Patricia Highsmith and the Horror—and Revelation—of Obsession

On Patricia Highsmith and the Horror—and Revelation—of Obsession

Hannah Meyer Considers the Power of Destructive Desire
in Fiction and Life

By Hannah Meyer | July 24, 2023

Haunted by the Question: What It Means To “Become” a Writer

Haunted by the Question: What It Means To “Become” a Writer

Efrén Ordóñez Garza on Writing as Practice, Lifestyle, and Identity

By Efrén Ordóñez Garza | July 24, 2023

Jack Zipes on the Political Potential of Fairy Tales

Jack Zipes on the Political Potential of Fairy Tales

From The History of Literature Podcast with Jacke Wilson

By History of Literature | July 24, 2023

What Completism Can Teach Us About the Creative Process

What Completism Can Teach Us About the Creative Process

Rhian Sasseen Considers the Lost Art of Prolonged Artistic Growth

By Rhian Sasseen | July 24, 2023

The Unique Challenges of Translating <em>The Brothers Karamazov</em> Into English

The Unique Challenges of Translating The Brothers Karamazov Into English

Michael R. Katz on Creating the First New Translation of Dostoevsky’s Novel in Two Decades

By Michael R. Katz | July 21, 2023

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring New Titles by Colson Whitehead, Silvia Moreno-Garcia, Samuel G. Freedman, and More

By Book Marks | July 21, 2023

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    • The Best Psychological Thrillers of November 2025November 7, 2025 by Molly Odintz
    • From Spies and Matrons to Miami Vice: A Short History of Women in Law EnforcementNovember 7, 2025 by Alie Dumas Heidt
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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