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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Advice
The Ethics of Writing About Race as a White Woman
Rachel Jamison Webster on Oral Traditions, Racial Ancestries, and Confronting Shame
By
Rachel Jamison Webster
| March 21, 2023
Idra Novey: How to Pack a Punch in a Short Novel
In Conversation with Christopher Hermelin on
So Many Damn Books
By
So Many Damn Books
| March 21, 2023
Elissa Sloan and Jennifer Banash on Celebrity, Myth, and Fiction
The Authors of Two New Books on Fame and Its Discontents Talk 21st-Century Culture
By
Literary Hub
| March 21, 2023
Peggy Orenstein on the Self-improvement Memoir
From the
Write-minded
Podcast, Hosted by Brooke Warner and Grant Faulkner
By
Memoir Nation
| March 21, 2023
Nguyễn Phan Quế Mai on Why Female Novelists Should Plunder the Voices of Men in Their Work
In Conversation with Andrew Keen on
Keen On
By
Keen On
| March 21, 2023
God Bless the Grievers: Zoe Fishman on Reclaiming Widowhood Narratives
“By laughing through the tears, I was finally in charge.”
By
Zoe Fishman
| March 20, 2023
Best Reviewed
Books of the Week
“Gray Area is What Novels Can Do That Twitter Cannot.” Rebecca Makkai on Incorporating #MeToo in Her New Novel
By
First Draft: A Dialogue on Writing
| March 20, 2023
Idra Novey on the Conjuring of Haunting Characters
By
Idra Novey
| March 17, 2023
Poetry in Three Dimensions: Sarah Ruhl on Bringing the Words of Max Ritvo to the Theater
By
Sarah Ruhl
| March 16, 2023
Jennifer Rosner on Crafting Evocative Historical Fiction That Honors the Past
Natalie Jenner Talks to the Author of
Once We Were Home
By
Natalie Jenner and Jennifer Rosner
| March 16, 2023
Editor-Turned-Author Jenny Jackson on the Other Side of the Editorial Process
In Conversation with Maris Kreizman on
The Maris Review
Podcast
By
The Maris Review
| March 16, 2023
Gina Frangello on the Editorial Omniscient and Why We Should All Be Using it
In Conversation with Brad Listi on
Otherppl
By
Otherppl with Brad Listi
| March 16, 2023
Ann Napolitano: Offer Yourself Grace When the Writing is Hard
The Author of
Hello Beautiful
on Writer’s Block, Loving Basketball, and Bad Advice
By
Ann Napolitano
| March 15, 2023
Appropriating Their Way Into Existence: How Black Writers Upended Autofiction
DK Nnuro on the Power of Mimicry and Subversion in the Black Literary Tradition
By
DK Nnuro
| March 15, 2023
Sarah Thankam Mathews on Her Brush with Mortality and the “Sourdough Starter of Ego Death”
In Conversation with Guest Host Mira Jacob on
Thresholds
By
Thresholds
| March 15, 2023
Kathy Fagan on the Poetic Power of “Misusing” Language
Peter Mishler Talks With the Author of
Bad Hobby
and
Sycamore
By
Peter Mishler
| March 15, 2023
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December 4, 2025
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Why So Many Former Intelligence Officers Write Espionage Fiction
December 4, 2025
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Charles Beaumont
The Best Reviewed Books of the Week
"The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"