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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
  • Fiction and Poetry
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    • From the Novel
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On Kind of Telling the Truth: Why Hannah Pittard Switched to Memoir

On Kind of Telling the Truth: Why Hannah Pittard Switched to Memoir

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | May 4, 2023

Camille T. Dungy: Against the Isolated Nature Writer

Camille T. Dungy: Against the Isolated Nature Writer

Lauren LeBlanc Speaks With the Author of Soil: The Story of a Black Mother’s Garden

By Lauren LeBlanc | May 3, 2023

“It’s Not All Over...” On Persisting in Writing and in Life

“It’s Not All Over...” On Persisting in Writing and in Life

Mark Ernest Pothier in Conversation With His Younger Self

By Mark Ernest Pothier | May 3, 2023

Angeline Boulley on the Need to Get Beyond Trauma in Native Literature

Angeline Boulley on the Need to Get Beyond Trauma in Native Literature

In Conversation with Andrew Keen on Keen On

By Keen On | May 3, 2023

What Lies Behind the Postcard: Jasmin Iolani Hakes on the New Meaning of Summer Reading

What Lies Behind the Postcard: Jasmin Iolani Hakes on the New Meaning of Summer Reading

“Novels have the ability to transport, but they can also deepen our understanding of a place in a way that is difficult to replicate.”

By Jasmin Iolani Hakes | May 3, 2023

Darran Anderson on the Ever-Shifting Magic of Italo Calvino’s <em>Invisible Cities</em>

Darran Anderson on the Ever-Shifting Magic of Italo Calvino’s Invisible Cities

Introducing the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | May 2, 2023

Best Reviewed
Books of the Week

  • The Pelican Child: Stories
  • Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025
  • On the Calculation of Volume (Book III)
  • The Ferryman and His Wife
  • Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult
  • Mexico: A 500-Year History

“Maybe This Means Something.” Min Jin Lee on Vulnerability and Audacity, in Life and on the Page

By Talk Easy | May 2, 2023

Nana Kwame Adjei-Brenyah Has Respect for a Tough Edit

By Literary Hub | May 2, 2023

T.C. Boyle on Surviving and Satirizing the Climate Crisis

By Jane Ciabattari | May 2, 2023

Edmund White on the Power of Destabilizing His Readers

Edmund White on the Power of Destabilizing His Readers

Damon Galgut Speaks with the Author of The Humble Lover

By Damon Galgut | May 2, 2023

The Untold History of the “Asian American” Identity

The Untold History of the “Asian American” Identity

Cathy Linh Che and Kyle Lucia Wu Reflect on What Led to Their Children’s Book

By Cathy Linh Che and Kyle Lucia Wu | May 2, 2023

John Milas on the Specificity of Terror 

John Milas on the Specificity of Terror 

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | May 2, 2023

Rebecca Carroll on Writing About Family with Honesty

Rebecca Carroll on Writing About Family with Honesty

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | May 2, 2023

Katie Hafner on Kafka, Silicon Valley and the True Story Behind the <em>The Boys</em>

Katie Hafner on Kafka, Silicon Valley and the True Story Behind the The Boys

In Conversation with Andrew Keen on Keen On

By Keen On | May 2, 2023

What Emojis Can’t Express: How Handwriting Reveals Our True Selves

What Emojis Can’t Express: How Handwriting Reveals Our True Selves

Neil Serven Ponders the Lost Art of Penmanship

By Neil Serven | May 1, 2023

Ann Lauterbach: On the Value of Effective Language After Trump’s Presidency

Ann Lauterbach: On the Value of Effective Language After Trump’s Presidency

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 1, 2023

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    • Masterpiece Mystery has a New Mystery!December 3, 2025 by Olivia Rutigliano
    • Tracy Clark on Writing a Black Female DetectiveDecember 3, 2025 by Tracy Clark
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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