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Summoning Literary Witches: Intan Paramaditha Rethinks Her Personal Canon

Summoning Literary Witches: Intan Paramaditha Rethinks Her Personal Canon

“In actively reshaping our coven, we reclaim our literary lineage and stitch a tapestry of defiant voices.”

By Intan Paramaditha | March 25, 2024

Style As Survival: On Writing After Death

Style As Survival: On Writing After Death

Joyelle McSweeney Explores the Creative Process That Grief Provokes

By Joyelle McSweeney | March 25, 2024

Tomas Moniz on The Big Familia of Writing

Tomas Moniz on The Big Familia of Writing

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | March 25, 2024

Debra Spark on Whether Art Can Truly Help People

Debra Spark on Whether Art Can Truly Help People

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 25, 2024

Lisa Ko: How Writing a Novel is Like Wandering a Flea Market

Lisa Ko: How Writing a Novel is Like Wandering a Flea Market

“Don’t be too precious about things. And also: everything has the potential to be precious.”

By Lisa Ko | March 22, 2024

Am I the Literary Asshole? When to Mute Your Friend on the Internet

Am I the Literary Asshole? When to Mute Your Friend on the Internet

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | March 21, 2024

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“The Act of Writing is a Haunting Experience.” A Roundtable on Community, Craft, and Ghosts

By Literary Hub | March 20, 2024

J. Edward Chamberlin on How Words Shape Our World

By History of Literature | March 20, 2024

How Translating a Novel About Emily Dickinson Got Rhonda Mullins Through the Pandemic

By Rhonda Mullins | March 18, 2024

Between Assimilation and Authenticity: On Navigating Discourses Around Asian American Literary Identity

Between Assimilation and Authenticity: On Navigating Discourses Around Asian American Literary Identity

Laura Chow Reeve Considers Her Great Aunt Virginia Lee's Novel, “The House That Tai Ming Built”

By Laura Chow Reeve | March 18, 2024

Francophone, Anglophone... Cameroonian? Musih Tedji Xaviere on Telling the Story of Her Country’s Struggles

Francophone, Anglophone... Cameroonian? Musih Tedji Xaviere on Telling the Story of Her Country’s Struggles

"I realized I didn't care anymore about my fears, the object of my limitations."

By Musih Tedji Xaviere | March 18, 2024

Lissa Soep on Other People's Words

Lissa Soep on Other People's Words

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | March 18, 2024

“I Won’t Kill It. I’ll Just Surprise It.” Corey Sobel on the Impact of Writing Physical Action

“I Won’t Kill It. I’ll Just Surprise It.” Corey Sobel on the Impact of Writing Physical Action

How Willa Cather Uses Physical Details in Service to Emotional Ends

By Corey Sobel | March 15, 2024

Katya Apekina Talks Psychics, Slavic Stories, and Writing as Trance

Katya Apekina Talks Psychics, Slavic Stories, and Writing as Trance

The Author of “Mother Doll” in Conversation with Melissa Ximena Golebiowski

By Melissa Ximena Golebiowski | March 15, 2024

From Red Riding Hood to Beowulf: On the Essential Role of Literary Reimaginings

From Red Riding Hood to Beowulf: On the Essential Role of Literary Reimaginings

“To tell such tales again is to tell them for the first time.”

By Joel H. Morris | March 14, 2024

The Barbara Comyns Novel That Got Too Real About Poverty, Giving Birth, and Women’s Lives

The Barbara Comyns Novel That Got Too Real About Poverty, Giving Birth, and Women’s Lives

Avril Horner on the Extraordinary Wildness of “Our Spoons Came from Woolworths”

By Avril Horner | March 14, 2024

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