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Reese Hogan on Sentience, Humanity, and Robots

Reese Hogan on Sentience, Humanity, and Robots

In Conversation with Brenda Noiseux & Rob Wolf on the New Books Network

By New Books Network | November 9, 2023

Robin Lane Fox on Why We Still Read Homer

Robin Lane Fox on Why We Still Read Homer

From The History of Literature Podcast with Jacke Wilson

By History of Literature | November 8, 2023

Why Naoise Dolan Learned Italian for Her Book Tour

Why Naoise Dolan Learned Italian for Her Book Tour

And Why Reading, Writing, and Speaking a New Language Imperfectly is OK

By Naoise Dolan | November 7, 2023

Stephanie Land on the Routine That Helped Her Write Her New Book in a Month

Stephanie Land on the Routine That Helped Her Write Her New Book in a Month

The Author of Class Takes the Lit Hub Questionnaire

By Stephanie Land | November 7, 2023

Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime

Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime

On Crime Storytelling and Why Aiming for Closure Can Be Problematic

By Lindsay Hunter | November 7, 2023

Literature's Porous Borders: Where Fiction Ends and Reality Begins

Literature's Porous Borders: Where Fiction Ends and Reality Begins

Salar Abdoh on Love, War and the Historical Forces That Inspire Art

By Salar Abdoh | November 7, 2023

Best Reviewed
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  • The Six Loves of James I

Marina Abramović on Her Expansive View of Art-Making

By Talk Easy | November 7, 2023

How Diane Seuss Wrote The Poem That Matters Most to Her

By Literary Hub | November 6, 2023

Trying to Find My Voice on the Page: On Self-Doubt and Finding the Confidence it Takes to Write

By Virginia Pye | November 6, 2023

Allison Gilbert on Taking Writing Inspiration From Elsie Robinson

Allison Gilbert on Taking Writing Inspiration From Elsie Robinson

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | November 6, 2023

Shane McCrae on the Music of the Poetic Line

Shane McCrae on the Music of the Poetic Line

"Good poets take advantage of opportunities to make meter mean."

By Shane McCrae | November 3, 2023

Jesse David Fox On Cheap Laughs

Jesse David Fox On Cheap Laughs

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | November 2, 2023

Dancing with the Goddess and Drawing Down the Moon: A Reading List for Modern Witches

Dancing with the Goddess and Drawing Down the Moon: A Reading List for Modern Witches

Diana Helmuth Recommends Margot Adler, Lorraine Monteagut, Starhawk, and More

By Diana Helmuth | October 31, 2023

“A monster can look like whatever it wants”: On the Allure of Literary Monsters

“A monster can look like whatever it wants”: On the Allure of Literary Monsters

Adrian Van Young on the Monstrous Stories That Shaped Him

By Adrian Van Young | October 31, 2023

What Are Thriller Writers Truly Afraid Of?

What Are Thriller Writers Truly Afraid Of?

Danielle Trussoni Talks with Four Authors on How Their Fears Make it into Their Fiction

By Danielle Trussoni | October 31, 2023

“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry

“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry

Justin Phillip Reed Considers Craft and Alienation on the Screen and on the Page

By Justin Phillip Reed | October 31, 2023

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Page 66 of 261
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    • The Day They Jailed The BabeDecember 23, 2025 by Dean Jobb
    • House of Day, House of Night
    • The Best Reviewed Books of the Week
    • "Tokarczuk is an excellent storyteller She is very good at creating a 'sense of anticipation…"
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