Naomi Alderman on Creating a Fictional Tech Dystopia

Naomi Alderman on Creating a Fictional Tech Dystopia

Jane Ciabattari Talks to the Author of The Future

By Jane Ciabattari | November 21, 2023

Brit Marling on Writing Women Who Get to the End of Their Stories

Brit Marling on Writing Women Who Get to the End of Their Stories

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | November 21, 2023

Censoring Kids’ Worlds: Laurie Hertzel on the Danger of Banning Books for Children

Censoring Kids’ Worlds: Laurie Hertzel on the Danger of Banning Books for Children

A Love Letter to Judy Blume, Maurice Sendak, and the Other Authors that Defined Her Youth

By Laurie Hertzel | November 20, 2023

Whitney Hanson on Smartphone Poetry and Generational Anxiety

Whitney Hanson on Smartphone Poetry and Generational Anxiety

In Conversation with Andrew Keen on Keen On

By Keen On | November 20, 2023

Ayana Mathis on Prioritizing the People on the Page

Ayana Mathis on Prioritizing the People on the Page

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | November 20, 2023

M.C. Benner Dixon on Creating Persuasive Metaphors

M.C. Benner Dixon on Creating Persuasive Metaphors

“In English, every word, almost, is an efficient little vehicle pointed outward at the wide and literal world.”

By M.C. Benner Dixon | November 17, 2023

Best Reviewed
Books of the Week

  • House of Day, House of Night
  • The Award
  • Daring to Be Free: Rebellion and Resistance of the Enslaved in the Atlantic World
  • Casanova 20: Or, Hot World
  • Frostlines: A Journey Through Entangled Lives and Landscapes in a Warming Arctic
  • The Six Loves of James I

On Literary Empathy and the Performative Reading of Palestinian Authors

By Etaf Rum | November 16, 2023

Nina LaCour on Finding a Story in Her Own Backyard

By Nina LaCour | November 16, 2023

Ed Park on Panoramic Storytelling

By The Maris Review | November 16, 2023

What Working Minimum-Wage Jobs Taught Me About Writing Novels

What Working Minimum-Wage Jobs Taught Me About Writing Novels

Joanne McNeil on Patricia Highsmith, Classism, and Finding Raw Material in Staff Workrooms

By Joanne McNeil | November 14, 2023

Ziwe on Not Sharing Too Much, But Sharing Enough

Ziwe on Not Sharing Too Much, But Sharing Enough

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | November 14, 2023

Athena Dixon on Being a Human Being, Not a Brand

Athena Dixon on Being a Human Being, Not a Brand

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | November 14, 2023

Tatiana Johnson-Boria on Writing Poems Like Film Montages

Tatiana Johnson-Boria on Writing Poems Like Film Montages

The Poet on Her New Collection Nocturne in Joy

By Literary Hub | November 13, 2023

Write-minded Offers a Mid-NaNoWriMo Pep Talk

Write-minded Offers a Mid-NaNoWriMo Pep Talk

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | November 13, 2023

Edgar Kunz on Knowing When a Poem is Finished

Edgar Kunz on Knowing When a Poem is Finished

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | November 13, 2023

Happy Endings Redefined: Why There Should Be More Books About Breakups

Happy Endings Redefined: Why There Should Be More Books About Breakups

Hannah Sloane on the Romance Genre, Celebrating Being Single, and How She Wrote Her Debut Novel

By Hannah Sloane | November 10, 2023

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