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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
  • Fiction and Poetry
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    • From the Novel
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  • News and Culture
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Tatiana Johnson-Boria on Writing Poems Like Film Montages

Tatiana Johnson-Boria on Writing Poems Like Film Montages

The Poet on Her New Collection Nocturne in Joy

By Literary Hub | November 13, 2023

Write-minded Offers a Mid-NaNoWriMo Pep Talk

Write-minded Offers a Mid-NaNoWriMo Pep Talk

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | November 13, 2023

Edgar Kunz on Knowing When a Poem is Finished

Edgar Kunz on Knowing When a Poem is Finished

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | November 13, 2023

Happy Endings Redefined: Why There Should Be More Books About Breakups

Happy Endings Redefined: Why There Should Be More Books About Breakups

Hannah Sloane on the Romance Genre, Celebrating Being Single, and How She Wrote Her Debut Novel

By Hannah Sloane | November 10, 2023

Chin-Sun Lee on Writing Landcape

Chin-Sun Lee on Writing Landcape

"I know that wherever I am, when I stop to pay attention, some kind of story will emerge."

By Chin-Sun Lee | November 10, 2023

Abraham Verghese: A Writer in the World

Abraham Verghese: A Writer in the World

In Conversation on Sun Valley Writers’ Conference’s Beyond the Page

By Sun Valley Writers' Conference | November 10, 2023

Best Reviewed
Books of the Week

  • The Pelican Child: Stories
  • Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025
  • On the Calculation of Volume (Book III)
  • The Ferryman and His Wife
  • Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult
  • Mexico: A 500-Year History

Stephanie Land On Allowing Herself To Get Angry

By The Maris Review | November 9, 2023

Lisa Gornick on Writers Truly Knowing Their Fictional Characters

By Keen On | November 9, 2023

Reese Hogan on Sentience, Humanity, and Robots

By New Books Network | November 9, 2023

Robin Lane Fox on Why We Still Read Homer

Robin Lane Fox on Why We Still Read Homer

From The History of Literature Podcast with Jacke Wilson

By History of Literature | November 8, 2023

Why Naoise Dolan Learned Italian for Her Book Tour

Why Naoise Dolan Learned Italian for Her Book Tour

And Why Reading, Writing, and Speaking a New Language Imperfectly is OK

By Naoise Dolan | November 7, 2023

Stephanie Land on the Routine That Helped Her Write Her New Book in a Month

Stephanie Land on the Routine That Helped Her Write Her New Book in a Month

The Author of Class Takes the Lit Hub Questionnaire

By Stephanie Land | November 7, 2023

Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime

Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime

On Crime Storytelling and Why Aiming for Closure Can Be Problematic

By Lindsay Hunter | November 7, 2023

Literature's Porous Borders: Where Fiction Ends and Reality Begins

Literature's Porous Borders: Where Fiction Ends and Reality Begins

Salar Abdoh on Love, War and the Historical Forces That Inspire Art

By Salar Abdoh | November 7, 2023

Marina Abramović on Her Expansive View of Art-Making

Marina Abramović on Her Expansive View of Art-Making

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | November 7, 2023

How Diane Seuss Wrote The Poem That Matters Most to Her

How Diane Seuss Wrote The Poem That Matters Most to Her

The Poet Explains the Creative Process Behind "Still Life with Two Dead Peacocks and a Girl"

By Literary Hub | November 6, 2023

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Page 64 of 259
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    • American Crime: The True Story of a Stalking in KansasDecember 1, 2025 by Corey Mead
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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