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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Advice
Marguerite Duras on Writing the Screenplay for Alain Resnais’s
Hiroshima Mon Amour
“We’re afraid. But ultimately, isn’t that necessary from time to time? Especially in film?”
By
Marguerite Duras
| August 22, 2022
What Five Years with a Predatory Vanity Press Taught Me About Art and Success
Alexa T. Dodd on a Book Deal That Seemed Too Good to Be True
By
Alexa T. Dodd
| August 22, 2022
Kristine Langley Mahler on How Online Rabbit Holes Fuel Creativity
“The looking is the creeper behavior, but the processing of those digital finds can become the nonfiction writer’s justification.”
By
Kristine Langley Mahler
| August 22, 2022
Jamil Jan Kochai on Writing About Violence
In Conversation with Mitzi Rapkin on the
First Draft Podcast
By
First Draft: A Dialogue on Writing
| August 22, 2022
Mary Gaitskill on the Challenges—and Risks—of Writing Political Fiction
“Politics is how we fight it out on the ground.”
By
Mary Gaitskill
| August 19, 2022
The Books That Help Beth Macy Find Threads of Hope While Writing About Trauma
A Reading List for Alleviating Panic in the Face of Secondary Trauma
By
Beth Macy
| August 19, 2022
Best Reviewed
Books of the Week
13 Ways of Looking at a Family: Maud Newton on the Imagery of Ancestors (Including Her Own)
By
Maud Newton
| August 18, 2022
Fascism Past and Present: Anthony Marra on What the Censorship of 1940s Hollywood and Italy Can Teach Us
By
Fiction Non Fiction
| August 18, 2022
On Writing About Childhood, That Most Precious, Precarious Time
By
Sadie Jones
| August 18, 2022
Sidik Fofana on Balancing Shyness with Being in the Public Eye
“I am a contradiction. I am a performer and a monk.”
By
Sidik Fofana
| August 17, 2022
The Joys of Influence: In Praise of Intertextuality
Dur e Aziz Amna on the Work That Laid the Foundation for Her Debut Novel
By
Dur e Aziz Amna
| August 17, 2022
Incriminating Texts and Embarrassing Photos: What Nada Alic Needed to Write Her Debut Story Collection
In Conversation with Brad Listi on
Otherppl
By
Otherppl with Brad Listi
| August 17, 2022
Sidik Fofana on Crafting Distinct and Unforgettable Literary Voices
Jane Ciabattari Talks to the Author of
Stories from Tenants Downstairs
By
Jane Ciabattari
| August 16, 2022
Olaf Olafsson Knows When to Stop Writing: Before Depletion
The Author of
Touch
Takes the Lit Hub Questionnaire
By
Literary Hub
| August 16, 2022
A Poetics of Failure: On the Truths That Lie Between Words
D.S. Waldman Considers the Unbridgeable Gap Between Poetry and Any Single Poem
By
D.S. Waldman
| August 15, 2022
Lucy Sante on Writing with the Back Brain
At the "Juncture Between Knowing and not Knowing"
By
Lucy Sante
| August 12, 2022
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Page 118 of 259
Queer Crime Writers Presents: 10 New LGBTQIA+ Crime Novels to Check Out This Winter
December 5, 2025
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Queer Crime Writers
3 Ghost Stories To Help Get You in the Holiday Spirit
December 5, 2025
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Maxie Dara
6 Great Folk Horror Novels in Translation, Recommended by a Translator of Folk Horror
December 5, 2025
by
Ilona Yazhbin Chavasse
The Best Reviewed Books of the Week
"Tokarczuk is an excellent storyteller She is very good at creating a 'sense of anticipation…"