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Erika T. Wurth on Writing Horror as a Former Dorky Kid

Erika T. Wurth on Writing Horror as a Former Dorky Kid

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | October 25, 2022

When 007 Was a Woman: A WWII Novel About the Real Miss Moneypenny

When 007 Was a Woman: A WWII Novel About the Real Miss Moneypenny

Christine Wells in Conversation with Andrew Keen on Keen On

By Keen On | October 25, 2022

How a Husband-and-Wife Have Strengthened Their Bond by Writing Psychological Thrillers

How a Husband-and-Wife Have Strengthened Their Bond by Writing Psychological Thrillers

Nicci French in Conversation with Andrew Keen on Keen On

By Keen On | October 25, 2022

Lan Samantha Chang on How—or Whether—to Evolve Your Aesthetic or Style

Lan Samantha Chang on How—or Whether—to Evolve Your Aesthetic or Style

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | October 24, 2022

“You Find a Way to Be Distinctive.” George Saunders on His Writerly Evolution

“You Find a Way to Be Distinctive.” George Saunders on His Writerly Evolution

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 24, 2022

Harold R. Johnson on How We Tell Our Own Stories

Harold R. Johnson on How We Tell Our Own Stories

“We are the stories we are told and we are the stories we tell ourselves.”

By Harold R. Johnson | October 24, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Mary Karr on Navigating Memory While Writing Memoir

By Mary Karr | October 21, 2022

Playing with Fear: How Oracle Cards Taught Me To Ask More Honest Questions

By Rita Zoey Chin | October 21, 2022

George Saunders on Experiencing the Limits of Your Own Power

By The Maris Review | October 20, 2022

The Space Between Notes: What Writers Can Learn From Musicians

The Space Between Notes: What Writers Can Learn From Musicians

Daniel Torday on Writing Towards Resolution, and Everything in Between

By Daniel Torday | October 20, 2022

The Annotated Nightstand: What Maira Kalman is Reading Now and Next

The Annotated Nightstand: What Maira Kalman is Reading Now and Next

A Series by Diana Arterian

By Diana Arterian | October 20, 2022

Jess Walter on Writing About Hope (Without Losing His Literary Cool)

Jess Walter on Writing About Hope (Without Losing His Literary Cool)

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | October 20, 2022

Zoology and Cartoons: Will McPhail on Drawing Funny Animals

Zoology and Cartoons: Will McPhail on Drawing Funny Animals

The New Yorker Cartoonist on the Schooling Behind the Doodles

By Will McPhail | October 19, 2022

George Saunders: Why the Revision Process is Critical for Building Fictional Worlds

George Saunders: Why the Revision Process is Critical for Building Fictional Worlds

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | October 19, 2022

George Saunders on Reading Chaotically and the Power of Generous Teachers

George Saunders on Reading Chaotically and the Power of Generous Teachers

The Author of Liberation Day Takes the Lit Hub Questionnaire

By Literary Hub | October 18, 2022

Tressie McMillan Cottom: Why Black People Are the Most Future People She Knows

Tressie McMillan Cottom: Why Black People Are the Most Future People She Knows

This Week on Twitterverse, a Show About Tweets and the Writers Who Send Them

By Twitterverse | October 18, 2022

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Page 108 of 257
    • 10 New Books Coming Out This WeekNovember 10, 2025 by CrimeReads
    • Crime and the City: County KerryNovember 10, 2025 by Paul French
    • I’m 13 Years Late to The Amazing Spider-Man and I Have ThoughtsNovember 7, 2025 by Olivia Rutigliano
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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