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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Advice
Su Cho on Beginning Her Poetic Journey
"I never intended to become a poet. It’s just that I was addicted to feeling things strongly and then feeling nothing at all."
By
Su Cho
| November 14, 2022
David Yoon on Writing Racial Dynamics in YA Fiction
From the
Write-minded
Podcast, Hosted by Brooke Warner and Grant Faulkner
By
Memoir Nation
| November 14, 2022
Healing, Then Writing: Confronting Writer's Block in the Early Years of Sobriety
Matthew Quick Writes “a Love Letter to the Redemptive Forces of Story.”
By
Matthew Quick
| November 14, 2022
Ross Gay: “It’s Never Been the Institutions, It’s Always Been Our Neighbor.”
In Conversation with Mitzi Rapkin on the
First Draft Podcast
By
First Draft: A Dialogue on Writing
| November 14, 2022
Christopher Isherwood on What Writers Can Learn from Theater
“The effects are created by means of claustrophobia:
you can’t get out.”
By
Christopher Isherwood
| November 11, 2022
Full Disclosure: Meghan J. Ward on Marriage, Motherhood, and Weighing the Truth in Memoir
“How do I honor, or even reclaim, my voice in this story without compromising my relationship with my loved ones?”
By
Meghan J. Ward
| November 11, 2022
Best Reviewed
Books of the Week
Nancy Pelosi’s Majority: Matthew Clark Davison’s San Francisco Take on a National Leader
By
Fiction Non Fiction
| November 10, 2022
Writing Grief in Fiction is a Work of Love
By
Onyi Nwabineli
| November 10, 2022
Stuck on Your Novel? Try Baking a Pie!
By
Amy Wallen
| November 10, 2022
Funny, Fearless, and Unafraid to Fail: Finding Creative Inspiration in Comedy Podcasts
Rebecca Ackermann on Learning to Write to a Soundtrack of Riffing Comedians
By
Rebecca Ackermann
| November 10, 2022
Sandra Simonds on Piecing Together Poetic Puzzles
Peter Mishler Talks with the Author of
Triptychs
By
Peter Mishler
| November 10, 2022
Live at the Red Ink Series: On Avoidance
Featuring Sarah Thankam Mathews, Elissa Bassist, Melissa Lozada-Oliva, Sari Botton, and Kayla Maiuri
By
Michele Filgate
| November 10, 2022
Alex Marzano-Lesnevich on Gender Identity and Narratives Drawn from the Body
In Conversation with Jordan Kisner on
Thresholds
By
Thresholds
| November 10, 2022
On Self-Reflection, Stories, and and What Mirrors Really Tell Us
“The narrative of your present is crafted by the past.”
By
Sarah Fawn Montgomery
| November 10, 2022
How to Write a Novel with Three of Your Friends
The Writers Behind S.E. Boyd on the High Stakes of Cooperative Fiction Writing
By
Kevin Alexander, Joe Keohane, and Alessandra Lusardi
| November 9, 2022
The Art of Adaptation: Camille DeAngelis and David Kajganich on Taking
Bones and All
from Page to Screen
In Conversation at the Inaugural Refocus Film Festival
By
Literary Hub
| November 9, 2022
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Page 104 of 257
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"Not much happens In fact there is much in the text that is not made…"