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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
  • Fiction and Poetry
    • Short Story
    • From the Novel
    • Poem
  • News and Culture
    • History
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    • Awakeners
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    • The Critic and Her Publics
    • Windham-Campbell Prizes Podcast
    • Memoir Nation
    • Beyond the Page
    • First Draft: A Dialogue on Writing
    • Thresholds
    • The Cosmic Library
    • Culture Schlock
  • Reading Lists
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Su Cho on Beginning Her Poetic Journey

Su Cho on Beginning Her Poetic Journey

"I never intended to become a poet. It’s just that I was addicted to feeling things strongly and then feeling nothing at all."

By Su Cho | November 14, 2022

David Yoon on Writing Racial Dynamics in YA Fiction

David Yoon on Writing Racial Dynamics in YA Fiction

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | November 14, 2022

Healing, Then Writing: Confronting Writer's Block in the Early Years of Sobriety

Healing, Then Writing: Confronting Writer's Block in the Early Years of Sobriety

Matthew Quick Writes “a Love Letter to the Redemptive Forces of Story.”

By Matthew Quick | November 14, 2022

Ross Gay: “It’s Never Been the Institutions, It’s Always Been Our Neighbor.”

Ross Gay: “It’s Never Been the Institutions, It’s Always Been Our Neighbor.”

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | November 14, 2022

Christopher Isherwood on What Writers Can Learn from Theater

Christopher Isherwood on What Writers Can Learn from Theater

“The effects are created by means of claustrophobia:
you can’t get out.”

By Christopher Isherwood | November 11, 2022

Full Disclosure: Meghan J. Ward on Marriage, Motherhood, and Weighing the Truth in Memoir

Full Disclosure: Meghan J. Ward on Marriage, Motherhood, and Weighing the Truth in Memoir

“How do I honor, or even reclaim, my voice in this story without compromising my relationship with my loved ones?”

By Meghan J. Ward | November 11, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Nancy Pelosi’s Majority: Matthew Clark Davison’s San Francisco Take on a National Leader

By Fiction Non Fiction | November 10, 2022

Writing Grief in Fiction is a Work of Love

By Onyi Nwabineli | November 10, 2022

Stuck on Your Novel? Try Baking a Pie!

By Amy Wallen | November 10, 2022

Funny, Fearless, and Unafraid to Fail: Finding Creative Inspiration in Comedy Podcasts

Funny, Fearless, and Unafraid to Fail: Finding Creative Inspiration in Comedy Podcasts

Rebecca Ackermann on Learning to Write to a Soundtrack of Riffing Comedians

By Rebecca Ackermann | November 10, 2022

Sandra Simonds on Piecing Together Poetic Puzzles

Sandra Simonds on Piecing Together Poetic Puzzles

Peter Mishler Talks with the Author of Triptychs

By Peter Mishler | November 10, 2022

Live at the Red Ink Series: On Avoidance

Live at the Red Ink Series: On Avoidance

Featuring Sarah Thankam Mathews, Elissa Bassist, Melissa Lozada-Oliva, Sari Botton, and Kayla Maiuri

By Michele Filgate | November 10, 2022

Alex Marzano-Lesnevich on Gender Identity and Narratives Drawn from the Body

Alex Marzano-Lesnevich on Gender Identity and Narratives Drawn from the Body

In Conversation with Jordan Kisner on Thresholds

By Thresholds | November 10, 2022

On Self-Reflection, Stories, and and What Mirrors Really Tell Us

On Self-Reflection, Stories, and and What Mirrors Really Tell Us

“The narrative of your present is crafted by the past.”

By Sarah Fawn Montgomery | November 10, 2022

How to Write a Novel with Three of Your Friends

How to Write a Novel with Three of Your Friends

The Writers Behind S.E. Boyd on the High Stakes of Cooperative Fiction Writing

By Kevin Alexander, Joe Keohane, and Alessandra Lusardi | November 9, 2022

The Art of Adaptation: Camille DeAngelis and David Kajganich on Taking <em>Bones and All</em> from Page to Screen

The Art of Adaptation: Camille DeAngelis and David Kajganich on Taking Bones and All from Page to Screen

In Conversation at the Inaugural Refocus Film Festival

By Literary Hub | November 9, 2022

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Page 104 of 257
    • I’m 13 Years Late to The Amazing Spider-Man and I Have ThoughtsNovember 7, 2025 by Olivia Rutigliano
    • The Best Psychological Thrillers of November 2025November 7, 2025 by Molly Odintz
    • From Spies and Matrons to Miami Vice: A Short History of Women in Law EnforcementNovember 7, 2025 by Alie Dumas Heidt
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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