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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Stacey D'Erasmo
On the Many Paths Artists Take to Sustain Their Creative Practice
Stacey D'Erasmo Asks, “What Keeps Us Alive In Our Art?”
By
Stacey D'Erasmo
| July 10, 2024
Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman
What It Means to Write in the Direction of Darkness
By
Stacey D'Erasmo
| September 26, 2022
Stacey D’Erasmo on the Fun of Writing Cryptic Characters
“The world itself is an ambiguous, complicated place.”
By
Stacey D'Erasmo
| September 23, 2022
My Year of Writing Anonymously
Stacey D'Erasmo on the Freedom of Losing a Byline
By
Stacey D'Erasmo
| December 11, 2018
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The Texas Murder Mystery That Launched Skip Hollandsworth Into a Life of Crime Writing
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We All Make Deals With the Devil: Five Mysteries that Feature Faustian Bargains
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Thomas Olde Heuvelt
Ellery Adams on the Allure of Psychics and Mediums in Crime Writing
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by
Ellery Adams
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"