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First Draft: A Dialogue on Writing
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Culture Schlock
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True Crime
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Laura Valenza
The Five Devils
is a Cinematic Gothic Novel for the Contemporary Age
The Gothic Aesthetic Becomes Fertile Ground for Exploring Legacies of Homophobia, Colonialism, and Racism in France
By
Laura Valenza
| May 12, 2023
Can a Movie Both Cause Harm and Have Merit? Reckoning with My Love for
The Whale
What Do We Do When We Like a Movie That Causes Pain?
By
Laura Valenza
| March 3, 2023
Why a Behind-the-Scenes Look at the Porn Industry Is the Feminist Film I Needed
Laura Valenza on
Pleasure
, Power, and Visions of the Future
By
Laura Valenza
| July 7, 2022
It’s a Man’s Art World: The Centuries-Long Struggle of the Leading Lady in
Rocco and His Brothers
Laura Valenza on How Women in Italian Modern Art Become Symbolic of National Crisis
By
Laura Valenza
| June 2, 2022
Petroleum and Patriarchy: How Art Functions in
Written on the Wind
and
Giant
Laura Valenza on the Subversive Power of (Over-the-Top) Artwork
By
Laura Valenza
| March 1, 2022
Best Reviewed
Books of the Week
The Best Fiction in Translation of Fall 2025
November 21, 2025
by
Molly Odintz
“Whoever Wrote this Episode Should Die": "Galaxy Quest" Is Personal, and it's Personal to Me
November 21, 2025
by
Olivia Rutigliano
Breaking In: A Field Guide to Heist Plot Types
November 21, 2025
by
Norman Birnbach and Tilia Klebenov Jacobs
The Best Reviewed Books of the Week
"The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"