January wears two faces—
you will call one future, the other
history, both are elsewhere:
the elsewhere of photographs,
in which memory turns angular, deckle-edged:
here in the gold film light of Baghdad,
1976, my father, young, ambitious, radical,
on his way to take a picture with Saddam,
or the elsewhere of a quince orchard, the nothing
gentle elsewhere of dashcam footage,
the elsewhere in the street view
of the former house aglow in the palm—
I remember the elsewhere of Peter Jennings’s voice
reporting from Baghdad, and the Round City
of Baghdad with its mechanical birds, their wind-
powered throats, notes from a tree made entirely
of gold—another elsewhere, another history—
Put your ear to this window,
the city’s pleural rub—
All the horrible days arriving—listen—
children stretch their spans
before tombstones practicing fame,
pretending corpse life
which autocorrects to copse life,
an elsewhere where corpses begin to flower—
For a decade my father shouted in his sleep,
words as darts nicking the velvet
dark around the ears—
An elsewhere takes up
its red residence in his head—
Throw open now a dream-
brain up on the screen, see how it dims
and shimmers, a city of quadrants and zones—
It thinks it is awake, the dream
corrected by daylight.
__________________________________

From Hide by Carolina Ebeid. Copyright © 2026. Available from Graywolf Press. Reprinted with the permission of the author and Graywolf Press. All rights reserved.
Carolina Ebeid
Carolina Ebeid is a multimedia poet and author of You Ask Me to Talk about the Interior. She edits poetry at The Rumpus and Visible Binary and is the 2023–2025 Bonderman Assistant Professor of the Practice in Literary Arts at Brown University.



















