My writing space was once my kids’ playroom. It’s a small room separated from our living room by glass-paned French doors, and the other three walls are completely wrapped in windows, so I’m surrounded by glass when I’m working in there. I love being able to look out onto the street from my desk, seeing the people walking their dogs, and kids on bikes, and parents pushing strollers. I’m alone but not alone. (That said, because of all of the windows and my proximity to the street, when I record episodes of The Slowdown, I don’t do it at my desk. That magic happens upstairs in my daughter’s cozy bedroom!)

DESK
I bought this clear acrylic desk from CB2 because it takes up less visual space in the room. I keep a number of beloved objects on it, so I’m surrounded by them as I work. Each one is a sort of talisman. There’s a framed Audre Lorde postcard that reads, “I am who I am, doing what I came to do.” My friend Marie Myung-Ok Lee sent it to me when I was in the thick of my divorce. I keep a fortune cookie slip propped beside it—“Do what you love and the necessary resources will follow”—and both are essential reminders for the self-employed writer. There’s also a card that my high school English teacher, Jim Grannis, gave me when I graduated. It’s Mozart with pink hair, and he wrote on the inside, “We’re not afraid to be ourselves, eh?” All of these things, and others, buoy me when I’m writing.

 

Books
I have a few book shelves in my office, but on a little rolling cart beside my desk I keep books related to my current projects: craft books, research, comp titles. Some I’ve already read and keep close at hand for reference; others I want to read because I think they’ll help me think more deeply into my own writing. When an interviewer or podcast host asks what I’m reading, or when students I’m zooming with want recommendations, it’s handy to have books I can easily see and grab without getting up from my desk.

 

Music
In addition to the book storage in my office, I also keep my turntable and my records in that room. I’m almost always listening to music, including when I’m writing, so it’s nice to have my vinyl close by when I’m at home. The room is small enough that the sound really fills it. I stream music from my phone and laptop when I’m on the go, and I make playlists for every book, full of songs that inspired me while I was writing, or that seem to fit the work thematically or tonally. Those playlists are available on my Spotify, including the latest playlist for my new book of poems, A Suit or a Suitcase.

 

Art
On my desk there’s some childhood art by my son and daughter when they were younger: a clay piece and some heart “flowers” by Rhett and a milk carton model of our house and a collage by Violet. Hanging above the windows are photos from my phone, printed Polaroid-style, and along the walls. Unseen in these photos are some music posters (Superchunk and Mac McCaughan solo) and multiple paintings and collages by my children. In one of the front windows is a Post-It note that’s been there for years now. On it I wrote some of my favorite lines by Rilke: “Let everything happen to you: beauty and terror. Just keep going. No feeling is final.”

 

Writing Materials
I use a MacBook Air that has many, many miles on it, but so far (*knocks wood*) it’s still running. With poems, essays, and shorter forms, though, I usually write longhand first, in a notebook or on a yellow legal pad, until the piece begins to take shape. Once the form starts to become clear, I move to a Word document on my laptop. This might not be the most efficient process, but I find that my mind works better when I’m writing by hand vs. hunting and pecking. Confession: I never learned how to properly type, so while I’m relatively quick with only my two index fingers, I’m much faster with a pen. My go-to is the Uni-Ball Vision Elite in black.

 

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A Suit or a Suitcase by Maggie Smith is available via Washington Square Press.

Maggie Smith

Maggie Smith

Maggie Smith is the award-winning New York Times bestselling author of eight books of poetry and prose, including You Could Make This Place BeautifulGood BonesGoldenrod, Keep Moving, and My Thoughts Have Wings. A 2011 recipient of a Creative Writing Fellowship from the National Endowment for the Arts, Smith has also received a Pushcart Prize, and numerous grants and awards from the Academy of American Poets, the Sustainable Arts Foundation, the Ohio Arts Council, the Greater Columbus Arts Council, and the Virginia Center for the Creative Arts. She has been widely published, appearing in The New YorkerThe Paris ReviewThe Nation, The New York TimesThe AtlanticThe Best American Poetry, and more. You can follow her on social media @MaggieSmithPoet.