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Shir Alon and Joseph Farag on Palestinian Literature
In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction
November 2, 2023
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Jeremy Eichler on How Music Carries Memory
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Bluebeard’s Castle
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Lit Hub Daily: November 1, 2023
THE BEST OF THE LITERARY INTERNET
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A Palestinian Meditation in a Time of Annihilation
Thirteen Maqams for an Afterlife
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Consider the Words: On Translating
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Moeen Farrokhi Recalls Grieving a Mentor While Traversing a Linguistic Labyrinth
November 1, 2023
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“AI, Ain’t I A Woman?” On the Blindness and Limitations of Artificial Intelligence
Joy Buolamwini Exposes the Race and Gender Bias of an Emerging Technology
November 1, 2023
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How a 17th Century Priest Invented the Russian Novel
On Old Believers, Faith and the Vernacular
November 1, 2023
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Six Former Winners of the Cundill History Prize Reflect on What the Future Holds
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Ghosts, Specters, and Hauntings: 7 New Poetry Books to Read in November
David Woo Recommends an Ancient Chinese Poet, a Nobel Prize Laureate, and More
November 1, 2023
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Orlando, My Political Biography
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November 1, 2023
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Here’s the winner of the £25,000 British Academy Book Prize.
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We need more writers to speak out in support of Gaza.
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Silvia Garcia-Moreno on
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October 31, 2023
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On The Many Hauntings of Langston Hughes
Nick Ripatrazone Considers the Poet's Close Encounters With the Supernatural
October 31, 2023
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Dancing with the Goddess and Drawing Down the Moon: A Reading List for Modern Witches
Diana Helmuth Recommends Margot Adler, Lorraine Monteagut, Starhawk, and More
October 31, 2023
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“A monster can look like whatever it wants”: On the Allure of Literary Monsters
Adrian Van Young on the Monstrous Stories That Shaped Him
October 31, 2023
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The Scariest, Creepiest, and Most Frightening Animals in Fiction
Justin C. Key Finds the Best (or Worst?) in Horror
October 31, 2023
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August 25, 2025
The philosophy of boxing
Nicholas Boggs and Jessica B. Harris about James Baldwin’s lovers and friends
The Moomins as “an antidote to the toxicity of much modern internet discourse
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