On The Many Hauntings of Langston Hughes
Nick Ripatrazone Considers the Poet's Close Encounters With the Supernatural
Dancing with the Goddess and Drawing Down the Moon: A Reading List for Modern Witches
Diana Helmuth Recommends Margot Adler, Lorraine Monteagut, Starhawk, and More
“A monster can look like whatever it wants”: On the Allure of Literary Monsters
Adrian Van Young on the Monstrous Stories That Shaped Him
The Scariest, Creepiest, and Most Frightening Animals in Fiction
Justin C. Key Finds the Best (or Worst?) in Horror
What Are Thriller Writers Truly Afraid Of?
Danielle Trussoni Talks with Four Authors on How Their Fears Make it into Their Fiction
“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry
Justin Phillip Reed Considers Craft and Alienation on the Screen and on the Page
Spying is Lying: How David Cornwell Became John Le Carré
Adam Sisman on the True Identity and Backstory of the Pseudonymous Spy Novelist
Tim O’Brien on Letting the World Decide What He’ll Read Next
The Author of America Fantastica Takes the Lit Hub Questionnaire
A Master Class in Words: On the Vitality and Vividness of The Iliad‘s Opening Lines
Robin Lane Fox Considers the Movement of Homer's Epic
The Shape of Water: How the Movement of Oceans Impacts Human Activity
Helen Czerski Explores the Shape-Shifting Science Behind the High Seas
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