Lit Hub Daily: March 5, 2024
THE BEST OF THE LITERARY INTERNET
TODAY: Italian novelist, playwright, journalist and screenwriter Ennio Flaiano is born. Flaiano is perhaps best known for his work with Federico Fellini.
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Caroline Carlson recommends ten new books out in March for children of all ages. | Lit Hub Reading Lists
- “To you, mind you. Always, / Even if not / Or not facially.” Read a poem by Nam Le from his new collection, 36 Ways of Writing a Vietnamese Poem. | Lit Hub Poetry
- “Instantly I decided: The notebook was magic.” Cristina Henriquez on the unexpected power of getting (and almost losing) a notebook. | Lit Hub Craft
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Mary Morris on her long friendship with Russell Banks: “I grew up with Russell—as a writer, as a teacher and thinker, and as a friend.” | Lit Hub Memoir
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What’s “the fragmented art history book?” Dalya Benor discusses the problems with the high-concept hybrid taking over the literary world. | Lit Hub Criticism
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Keith Haring, Helen Oyeyemi, Xochitl Gonzalez, and more! These twenty-five new books are out today. | Lit Hub Reading Lists
- “I lost my left arm today. It came off clean at the shoulder.” Read from Anne de Marcken’s new novel, It Lasts Forever and Then It’s Over. | Lit Hub Fiction
- “In the book and in general, these things are not what you think they are.” Merve Emre interviews Rachel Cusk. | The Yale Review
- Nicholas Russell talks to book critic Becca Rothfeld about artistic discernment, critical approaches, and the video essayist ContraPoints. | Defector
- “Negative reviews of Volume Two were not shy about wielding racism in their criticism.” On the poet José Garcia Villa. | JSTOR Daily
- Jennifer Wilson interviews Helen Oyeyemi: “Tell everyone I’m coming to you from the void.” | The New Yorker
- Erik Davis on the “carnivalesque” Institute for Illegal Images and the case for blotter paper as art with historical context. | The Paris Review
- Scott Sherman in conversation with Edwin Frank, the editorial director of the NYRB Classics: “Well, it does seem to me that everything that makes journalism of the moment conspires against subsequent accessibility.” | The Point
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