Lit Hub Daily: July 27, 2026
THE BEST OF THE LITERARY INTERNET
TODAY: In 1928, Radclyffe Hall’s novel The Well of Loneliness is published.
- D/Annie Liontas, Sara Nović, Chet’la Sebree and Maria Adelman discuss the literary world’s unacknowledged class system. | Lit Hub In Conversation
- On that time Johnny Cash almost started a riot at California’s most infamous prison. | Lit Hub Music
- Why Christian craft store Hobby Lobby wouldn’t have survived without godless hippies. | Lit Hub Politics
- This week in literary history, The Atlantic Monthly publishes Robert Frost’s “The Road Not Taken.” | Lit Hub History
- Jennifer Rubin Grandis examines the gender gap in scientific publishing: “Since publication affects everything from getting a job to being granted tenure…blocking women from publishing affects their entire careers.” | Lit Hub Science
- Sander L. Gilman considers the tension between rootedness and rootlessness in diasporic Jewish identity. | Lit Hub History
- “It seems impossible, but the lanky Petco cashier with the shiny blond pompadour insists that he’s telling the truth.” Read “Copernicus Is Dying,” a story from Emily Doyle’s debut collection, Please Don’t Touch the Body. | Lit Hub Fiction
- “I feel utterly demoralized about the novel.” Antonio Muñoz Molina shares a catalogue of despair and inspiration (trans. Guillermo Bleichmar). | The Hudson Review
- Hannah Zeavin explores the false promises of early smart homes, “proposed automation as remedy and liberation.” | MIT Press Reader
- Despite what you might hear, protesting data centers isn’t “anti-tech violent extremist activity.” | Jacobin
- Abby Monteil examines the role of gender in Christopher Nolan’s The Odyssey: “Whether consciously done or not, Nolan’s The Odyssey functions as a meta commentary on how women factor into his career-long obsessions with power, time, and memory.” | Los Angeles Review of Books
- How cannibalism became an anti-colonial manifesto for Brazilian modernists. | Aeon
- Michael Katz talks to Ian J. Battaglia about translating Dostoevsky. | Chicago Review of Books
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