- Don’t know how to end your poem? Emily Skaja suggests 50 ways. | Lit Hub Craft
- Kelly E. Hill on the Home for Friendless Women and giving voice to women who defied societal norms in the nineteenth century. | Lit Hub History
- Do you really understand the difference between morals and ethics? Eli Burnstein shares a visual guide to the nuances of the English language. | Lit Hub Criticism
- Leigh Bardugo’s The Familiar, Alexandra Fuller’s Fi, and Anne Lamott’s Somehow all feature among the best reviewed books of the week. | Book Marks
- How the Telecommunications Act of 1996 deregulated radio station ownership and halted indie rock in America. | Lit Hub Music
- “Blurt #1—Awake Session 1. What is it like to wake up in deep space? Eh. Not glamorous.” Read from Jessie Ren Marshall’s new short story collection, Women! In! Peril! | Lit Hub Fiction
- On the recent boom of ‘cozy’ fantasy stories as a response to trying times. | Liz Bourke
- Ayana Mathis on how fiction can re-orient our sense of apocalypse | New York Times
- “For one thing, I really do want readers to abandon themselves to my texts…but I also don’t believe that an author can give an exhaustive analytical answer to these types of questions after the fact.” Tristan Foster interviews Esther Kinsky. | Public Books
- On William Gillette, Sherlock Holmes, and digital graves. | The Paris Review
- Kevin Lozano on the decline of The Village Voice and how it relates to the tumultuous and often bleak media landscape of today. | New York Review of Books
- Alexei Navalny’s memoir—written in prison before his death in February—will be published in October. | BBC
- “These sentences are failures; I could write six months, six years, without capturing a shard of Gaza’s present reality.” Sarah Aziza on language in the face of genocide. | The Baffler
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