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Consider the Words: On Translating <em>Infinite Jest</em> into Farsi

Consider the Words: On Translating Infinite Jest into Farsi

Moeen Farrokhi Recalls Grieving a Mentor While Traversing a Linguistic Labyrinth

By Moeen Farrokhi | November 1, 2023

“AI, Ain’t I A Woman?” On the Blindness and Limitations of Artificial Intelligence

“AI, Ain’t I A Woman?” On the Blindness and Limitations of Artificial Intelligence

Joy Buolamwini Exposes the Race and Gender Bias of an Emerging Technology

By Joy Buolamwini | November 1, 2023

How a 17th Century Priest Invented the Russian Novel

How a 17th Century Priest Invented the Russian Novel

On Old Believers, Faith and the Vernacular

By Irina Zhorov | November 1, 2023

Six Former Winners of the Cundill History Prize Reflect on What the Future Holds

Six Former Winners of the Cundill History Prize Reflect on What the Future Holds

Interviews with Tiya Miles, Marjoleine Kars, Camilla Townsend, Julia Lovell, Maya Jasanoff and Daniel Beer

By Literary Hub | November 1, 2023

What to Read Before and After Seeing <em>Orlando, My Political Biography</em>

What to Read Before and After Seeing Orlando, My Political Biography

On Virginia Woolf, Orlando, and Trans Lives

By Literary Hub | November 1, 2023

Here's the winner of the £25,000 British Academy Book Prize.

Here's the winner of the £25,000 British Academy Book Prize.

By Literary Hub | October 31, 2023

Best Reviewed
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  • Flyboy in the Buttermilk: Essays on Contemporary America

We need more writers to speak out in support of Gaza.

By Dan Sheehan | October 31, 2023

Silvia Garcia-Moreno on Dracula’s Depictions and Descendants

By Silvia Moreno-Garcia | October 31, 2023

The Scariest, Creepiest, and Most Frightening Animals in Fiction

By Justin C Key | October 31, 2023

Something Is Rotten in Horror’s Use of Pedagogy

Something Is Rotten in Horror’s Use of Pedagogy

Tyler Malone on the Canker in the Classroom

By Tyler Malone | October 31, 2023

“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry

“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry

Justin Phillip Reed Considers Craft and Alienation on the Screen and on the Page

By Justin Phillip Reed | October 31, 2023

Anand Varma on the World's Invisible Wonders

Anand Varma on the World's Invisible Wonders

In Conversation with Andrew Keen on Keen On

By Keen On | October 31, 2023

The 14 Best Book Covers of October

The 14 Best Book Covers of October

Things are getting weird

By Emily Temple | October 30, 2023

Spying is Lying: How David Cornwell Became John Le Carré

Spying is Lying: How David Cornwell Became John Le Carré

Adam Sisman on the True Identity and Backstory of the Pseudonymous Spy Novelist

By Adam Sisman | October 30, 2023

Can a Computer Write Like Eudora Welty?

Can a Computer Write Like Eudora Welty?

There's More to AI than Memes

By Randy Sparkman | October 30, 2023

The Shape of Water: How the Movement of Oceans Impacts Human Activity

The Shape of Water: How the Movement of Oceans Impacts Human Activity

Helen Czerski Explores the Shape-Shifting Science Behind the High Seas

By Helen Czerski | October 30, 2023

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Page 264 of 1341
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    • Beau L’Amour and Ryan Pote Discuss a Long Legacy of ThrillersJune 17, 2026 by Beau L'Amour
    • Villa Coco
    • The Best Reviewed Books of the Week
    • "None of this is particularly suspenseful the novel s chief revelation is telegraphed about halfway…"
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