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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
News and Culture
That’s Not Typing, It’s Writing: How T. S. Eliot Wrote “The Waste Land”
“With me an unfinished thing is a thing that might as well be rubbed out.”
By
Matthew Hollis
| January 9, 2023
Who Is the “Noted Writer” Buried in Sleepy Hollow Cemetery?
Nicky Beer Searches For a Long-Lost Writer in the Family
By
Nicky Beer
| January 9, 2023
Shelf Talkers: What the Booksellers Are Reading at Point Reyes Books
Recommendations from Booksellers in Point Reyes, CA
By
Literary Hub
| January 9, 2023
Living in an Unfolding Apocalyptic Reality with Emmanuel Vaughan-Lee,
Emergence Magazine
Founder
This Week from the
Emergence Magazine
Podcast
By
Emergence Magazine
| January 9, 2023
Nothing is Real: Craig Brown on the Slippery Art of Biography
“Biography as a form is necessarily artificial. In the end, all biography is a form of fiction.”
By
Craig Brown
| January 8, 2023
Of
course
Cate Blanchett reads Rebecca Solnit.
By
Emily Temple
| January 6, 2023
Best Reviewed
Books of the Week
When Fay Weldon called out publishers for underpaying staff and treating writers like trash.
By
Jonny Diamond
| January 6, 2023
In
Women Talking
, Acts of Imagination Are Acts of Resistance
By
Michelle Nijhuis
| January 6, 2023
The Original
Pinocchio
Is a Radical Anti-Work Story
By
Alessandro Delfanti
| January 6, 2023
The Sanctity of a Journal: On Private Writing in the Age of Public Content
“What stories do we owe each other—ourselves?”
By
Rachel Schwartzmann
| January 6, 2023
Why Travel Writing is a Form of Memoir and How Covid Has Changed How We See the World
Pico Iyer in Conversation with Andrew Keen on
Keen On
By
Keen On
| January 6, 2023
We
Can’t
Do It: How Women’s Contributions to Fighting Fascism Were Forgotten
Natasha Lester on the Collective Amnesia Around Women’s Accomplishments After World War II
By
Natasha Lester
| January 6, 2023
Why 2023 Probably Won’t Bring an End to the War in Ukraine
Angela Stent in Conversation with Andrew Keen on
Keen On
By
Keen On
| January 6, 2023
Annalee Newitz on Writing Stories That Reveal a Pathway Out of Dark Times
In Conversation with Brenda Noiseux and Rob Wolf on the
New Books Network
By
New Books Network
| January 6, 2023
Midnight in America? Why the Coming Crisis in the Republic Offers Hope For a Better Future
Jared Yates Sexton in Conversation with Andrew Keen on
Keen On
By
Keen On
| January 6, 2023
Nicolas Cage as Dracula! Yes, the trailer for
Renfield
has arrived.
By
Olivia Rutigliano
| January 5, 2023
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Page 257 of 1025
There is now a
Sesame Street
Knives Out
Pastiche, Called "Forks Out."
December 3, 2025
by
Olivia Rutigliano
Masterpiece Mystery has a New Mystery!
December 3, 2025
by
Olivia Rutigliano
Tracy Clark on Writing a Black Female Detective
December 3, 2025
by
Tracy Clark
The Best Reviewed Books of the Week
"The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"