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  • Craft and Criticism
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The Remarkable Story of the Horsewomen Warriors of Afghanistan

The Remarkable Story of the Horsewomen Warriors of Afghanistan

Pardis Mahdavi on Unearthing a Story of Ferocity and Survival

By Pardis Mahdavi | September 11, 2023

The Geology of Misery: What Philip Larkin and Ted Lasso (and Science) Tell Us About Trauma

The Geology of Misery: What Philip Larkin and Ted Lasso (and Science) Tell Us About Trauma

On Breaking the Cycle of Individual and Collective Dehumanization

By Catherine Buni | September 11, 2023

Navied Mahdavian on Confronting Environmental Degredation in the American West

Navied Mahdavian on Confronting Environmental Degredation in the American West

From His Graphic Memoir, This Country

By Navied Mahdavian | September 11, 2023

Emmanuel Vaughan-Lee on Stepping into the Liminal

Emmanuel Vaughan-Lee on Stepping into the Liminal

This Week from the Emergence Magazine Podcast

By Emergence Magazine | September 11, 2023

Lang Leav on Fiction and Authenticity

Lang Leav on Fiction and Authenticity

In Conversation with Andrew Keen on Keen On

By Keen On | September 11, 2023

Michael Harriot on White Sugarcoating

Michael Harriot on White Sugarcoating

In Conversation with Andrew Keen on Keen On

By Keen On | September 11, 2023

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

20,000 Dublin Marathon finishers will receive this W. B. Yeats medal, complete with fake quote.

By Dan Sheehan | September 8, 2023

Exclusive: See the cover for Ananda Lima's CRAFT: Stories I Wrote for the Devil.

By Literary Hub | September 8, 2023

Pride, Prejudice, and The Bachelor

By Chiara Dello Joio | September 8, 2023

The Imagination of Literary Spaces: On Contemporary Literary and Artistic Outreach

The Imagination of Literary Spaces: On Contemporary Literary and Artistic Outreach

Viniyanka Prasad Profiles Organizations Creating Communities for Marginalized Writers

By Viniyanka Prasad | September 8, 2023

30 Years Later, <em>The Age of Innocence</em> Remains Scorsese’s Most Subtle Deconstruction of Misogyny

30 Years Later, The Age of Innocence Remains Scorsese’s Most Subtle Deconstruction of Misogyny

The Storied Director Found His Match in Edith Wharton

By Andrew Quintana | September 8, 2023

Nikhil Goyal on the Ongoing Struggle for American Public Education

Nikhil Goyal on the Ongoing Struggle for American Public Education

Diane Ravitch Talks to the Author of Live to See the Day

By Diane Ravitch | September 8, 2023

Here's the shortlist for the 2023 BBC National Short Story Award.

Here's the shortlist for the 2023 BBC National Short Story Award.

By Literary Hub | September 7, 2023

Look inside the gorgeous English cottage where John Le Carré wrote <em>Tinker Tailor Soldier Spy.</em>

Look inside the gorgeous English cottage where John Le Carré wrote Tinker Tailor Soldier Spy.

By Emily Temple | September 7, 2023

James Ellroy Reveals the Real Reason He Writes

James Ellroy Reveals the Real Reason He Writes

"I’m writing this essay in the spirit of atonement. My ongoing biography should be revised to reflect this."

By James Ellroy | September 7, 2023

A Distinct Medium: How English Became a South Asian Literary Language

A Distinct Medium: How English Became a South Asian Literary Language

Liesl Schwabe on the Vision and Legacy of an Independent Press in Kolkata, India

By Liesl Schwabe | September 7, 2023

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Page 166 of 1016
    • The Backlist: Reading John le Carré's 'The Little Drummer Girl' with I.S. BerryOctober 24, 2025 by Polly Stewart
    • Guillermo del Toro's New Frankenstein Adaptation is Life-GivingOctober 24, 2025 by Olivia Rutigliano
    • Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His WorkOctober 23, 2025 by Stephen King
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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