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News and Culture
Lost Boys: On a Hidden Fraternity of the Forsaken in the American West
Jim Mangan and Judith Freeman Chronicle Everyday Life in a Disintegrating Community
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Judith Freeman and Jim Mangan
| March 4, 2024
Why Voting in The Oscars (and in Politics) Is Broken, and How to Fix Both
Ismar Volić on Why We Need to Abandon Winner-Take-All Voting
By
Ismar Volić
| March 4, 2024
Revisiting the Radical Presence of Diane di Prima
Liesl Schwabe on the Work and Legacy of the San Francisco Beat Poet
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Liesl Schwabe
| March 4, 2024
When Indie Publishing Meets Corporate Bookselling
Michele Herman on the Challenges of Getting—and Keeping—Her Book on the Shelves
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Michele Herman
| March 4, 2024
Literary Hub is Seeking a Regular, Part-Time Writer
Do You Have Strong Opinions About Books and Stuff?
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Literary Hub
| March 1, 2024
The Literary Film & TV You Need to Stream in March
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Read the opening lines of Sally Rooney's next novel.
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The 11 Best Book Covers of February
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Adoption, Abortion, Autonomy: On the Literature of Reproductive Justice
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How Richard Wright’s
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An imprisoned Palestinian author has been shortlisted for the International Prize for Arabic Fiction.
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Dan Sheehan
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Jean Jullien's enormous blue bookworms are a work of literary (and capitalist) delight.
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Emily Temple
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Announcing
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Live!
Our Podcast with Tor Books hits the road!
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Literature’s Lonely Hunter: On the “Sad, Happy Life” of Carson McCullers
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Mary V. Dearborn
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Page 148 of 1034
Taking Dramatic License in Historical Fiction
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Kelly Scarborough
Making a Killing on Wall Street: Why the Corporate World Is Perfect for Thrillers
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6 Thrillers That Reveal the Dark Sides of Fame
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The Best Reviewed Books of the Week
"Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"