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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Memoir
Suddenly So Alone: Jean Chen Ho on Dislocation and Longing in Upstate New York
“A person can get used to anything. I got used to being alone all the time.”
By
Jean Chen Ho
| November 17, 2025
A Day of Fragile Hope: On Gaza’s First Moments of Ceasefire
Hani Qarmoot: ”The ceasefire was more than a political announcement; it was a reclaiming of humanity.”
By
Hani Qarmout
| November 13, 2025
Why Film and Literature Fear Telling The Truth About Losing a Parent
Tiffany Graham Charkosky on Finding Healing in Telling Her Own Story of Maternal Loss
By
Tiffany Graham Charkosky
| November 13, 2025
Writing While Becoming Two: How Motherhood Influenced My Debut Novel
Grace Walker: “Two lives, two minds, combining. It’s the idea that shaped my writing, and now, in a quieter way, my days.”
By
Grace Walker
| November 12, 2025
The Publishing Industry Gambled on Me... and Lost
Maria Kuznetsova on Making Peace with Her Debut’s Failure to Launch
By
Maria Kuznetsova
| November 11, 2025
What Aging Can Teach Us About Creativity and Fulfillment
Philip Weinstein Explores Philosophical and Literary Approaches to the End of Life
By
Philip Weinstein
| November 11, 2025
Best Reviewed
Books of the Week
“It Was Home...” On Friends, Flatshares and Creating Fiction
By
Gráinne O’Hare
| November 10, 2025
Navigating Preteendom in the Shadow of the American Girl Doll
By
Hannah Matthews
| November 10, 2025
A Dedication to Vision: On Successfully Breaking the Law to Create Art
By
Lynn Hershman Leeson
| November 7, 2025
How I Came to Know My Cuban Grandfather Through Archival Research
Elena Sheppard: "I saw quickly and clearly that in many ways our minds were stuck in the same loops."
By
Elena Sheppard
| November 6, 2025
Abel Ferrara Starred in His First Feature, a Mob-Backed Porno
The Acclaimed Director Looks Back on the Start of His Legendary Career
By
Abel Ferrara
| November 6, 2025
A Different Side of the Self: On Finding Freedom By Telling My Story in English
Atash Yaghmaian: “In English, I’m just someone—free, unclaimed, and therefore, for the first time, self-defined.”
By
Atash Yaghmaian
| November 6, 2025
Georgi Gospodinov on the Loss of His Father and Writing About Death
The Author of
Death and the Gardener
in Conversation with His Translator, Angela Rodel
By
Angela Rodel
| November 5, 2025
Creating Without Inhibition: In Praise of Making Bad Art
Anna Hogeland: ”I could only make good art if I made bad art, too, and so I began making bad art an integral part of my creative practice.”
By
Anna Hogeland
| November 5, 2025
Why I Saw
The Bad News Bears
Ten Times in the Theater as a Nine-Year-Old Boy
Thomas Beller on Losing His Father and Finding Him Again and Again in a '70s Classic
By
Thomas Beller
| November 4, 2025
Feeding Our Ghosts: How Food Invokes Memories of Ones Loved and Lost
Daria Lavelle on the Bond Between Taste and the Departed
By
Daria Lavelle
| October 31, 2025
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"Sublime The beating heart of em The Silver Book em is Nicholas and Donati s…"