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  • Craft and Criticism
    • Literary Criticism
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    • On Translation
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    • Thresholds
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Glynne Walley on the Hakkenden

Glynne Walley on the Hakkenden

From The History of Literature Podcast with Jacke Wilson

By History of Literature | August 22, 2024

Writing Happiness: Why It’s Worth It to Look on the Bright Side of Stories

Writing Happiness: Why It’s Worth It to Look on the Bright Side of Stories

Maribeth Fischer on the Joys of Creating Joyful Fiction

By Maribeth Fischer | August 21, 2024

m. nourbeSe philip on Kamau Brathwaite's <em>Born to Slow Horses</em>

m. nourbeSe philip on Kamau Brathwaite's Born to Slow Horses

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | August 21, 2024

Fragile Yet Eternal: How Audre Lorde Continues to Inspire

Fragile Yet Eternal: How Audre Lorde Continues to Inspire

Alexis Pauline Gumbs on the Life and Legacy of the Iconic Black Feminist Poet and Activist

By Alexis Pauline Gumbs | August 20, 2024

Lena Valencia on Chronicling the Beauty and Danger of the Desert

Lena Valencia on Chronicling the Beauty and Danger of the Desert

Jane Ciabattari Talks to the Author of “Mystery Lights”

By Jane Ciabattari | August 20, 2024

Danez Smith! Audre Lorde! Kwame Dawes! 27 new books out today.

Danez Smith! Audre Lorde! Kwame Dawes! 27 new books out today.

By Gabrielle Bellot | August 20, 2024

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Sofia Samatar on Collage, Literary Community, and the Stunning Loneliness of Publishing

By Liska Jacobs | August 19, 2024

Choose Your Own Adventure: On the Limits of Personal Agency in Migrant Fiction

By Ruben Reyes Jr. | August 19, 2024

What Should You Read Next? Here Are the Best Reviewed Books of the Week

By Book Marks | August 16, 2024

Evan S. Connell at 100: Ever the Elusive, Surprising, and Singular Conjurer

Evan S. Connell at 100: Ever the Elusive, Surprising, and Singular Conjurer

Steve Paul Remembers a Quiet Giant of American Literature

By Steve Paul | August 16, 2024

Beyond Mothering: Considering Ann Patchett’s Novels of Maternal Ambivalence

Beyond Mothering: Considering Ann Patchett’s Novels of Maternal Ambivalence

Monica Cardenas on a Literary Antidote to Society's Oppressive Prescription for Motherhood

By Monica Cardenas | August 15, 2024

Despite the Chaos of the Presidential Election, There Will Be More Than Enough Books This Fall

Despite the Chaos of the Presidential Election, There Will Be More Than Enough Books This Fall

Maris Kreizman on this Fall’s Incredible Crop of Fiction

By Maris Kreizman | August 15, 2024

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

“In less than 200 pages, the book manages to be part autobiography, part anthropological investigation and part feminist tract.”

By Book Marks | August 15, 2024

Francine Prose on What 1974 Can Teach Us About 2024

Francine Prose on What 1974 Can Teach Us About 2024

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | August 15, 2024

The Annotated Nightstand: What Bill Schutt Is Reading Now, and Next

The Annotated Nightstand: What Bill Schutt Is Reading Now, and Next

Featuring Jim Carrol, Mary Roach, Hunter S. Thompson, and Others

By Diana Arterian | August 15, 2024

A Literary Road Trip Across America

A Literary Road Trip Across America

Where to Go and What to Read There

By Literary Hub | August 14, 2024

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    • This Halloween, what's scarier than the French?October 31, 2025 by Olivia Rutigliano
    • A Brief History of Bounty Hunting in American Art and LifeOctober 31, 2025 by Cindy Fazzi
    • Behind the Masks of Ed GeinOctober 31, 2025 by Frank Ladd
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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