• Film and TV

    What to Watch

    In the Resurgence of Folk Horror, We Are the Villains

    By Michelle Nijhuis  February 14, 2022
    What to Watch

    Bless This Sex: On Dating Shows and the Touch We Want to Remember

    By K Chiucarello  February 14, 2022
    What to Watch

    Death on the Nile is Predictably Cursed by Its Troublesome Cast

    By Marah Eakin  February 11, 2022
    Keen On

    Erich Schwartzel on Hollywood, China, and the Global Battle for Cultural Supremacy

    By Keen On  February 11, 2022
    Reality TV

    Reality TV is Getting Boring Again—and Maybe That’s a Good Thing

    By Danielle J. Lindemann  February 10, 2022
    What to Watch

    On the Coen Brothers’ Bitter, Brokenhearted Noir,
    Miller’s Crossing

    By Olivia Rutigliano  February 9, 2022
    Memoir

    Georgia Pritchett Recounts a TV Industry #MeToo Experience in Three Acts, with No Closure

    By Georgia Pritchett  February 9, 2022
    The Hub

    Your literary guide to the 2022 Oscar nominations.

    By Eliza Smith  February 8, 2022
    The Hub

    Drive My Car is the first Japanese film ever to be nominated for Best Picture.

    By Walker Caplan  February 8, 2022
    Film

    Why Crouching Tiger, Hidden Dragon Fell Flat in Chinese Theaters

    By Erich Schwartzel  February 8, 2022
    What to Watch

    From Little Miss Sunshine to Nanny: How Genre is Transforming Our Idea of the “Sundance Film”

    By Reuben Baron  February 7, 2022
    The Hub

    Take an early peek at Hulu’s adaptation of Conversations With Friends.

    By Emily Temple  February 4, 2022
    Film

    Is Wonder Boys the Best-Ever Onscreen Depiction of a Writer?

    By Ryan Chapman  February 4, 2022
    Acting

    The Deep Roots of Acting Philosophy Behind Frances McDormand’s Craft

    By Isaac Butler  February 4, 2022
    The Hub

    A Fake Accounts TV series is on its way from Anonymous Content.

    By Walker Caplan  February 3, 2022
    The Hub

    10 fictional publishing houses, ranked.

    By Katie Yee  February 2, 2022
    Hollywood

    Will Smith Should’ve Been Our Rom-Com Hero

    By Scott Meslow  February 2, 2022
    What to Watch

    The Literary Film and TV You Need to Stream in February

    By Emily Temple  February 1, 2022
    The Hub

    The true story behind Mr. Darcy’s infamous hand flex.

    By Walker Caplan  January 31, 2022
    Adaptations

    “A Syrupy Love-Fest.” On the Blasphemous Disneyfication of Felix Salten’s Bambi

    By Jack Zipes  January 31, 2022
    The Hub

    “Potentially very difficult”: Ryusuke Hamaguchi on adapting Haruki Murakami’s “Drive My Car.”

    By Walker Caplan  January 28, 2022
    What to Watch

    On The Afterparty and the Rise of the “Millennial Whodunnit”

    By Olivia Rutigliano  January 28, 2022
    What to Watch

    Is The Lost Daughter
    a Horror Film?

    By Elizabeth Horkley  January 27, 2022
    Aliens?

    How Modern Storytelling Uses Aliens to Talk About Humanity

    By Mike Chen  January 27, 2022
    The Hub

    Let’s remember when The Simpsons did “The Raven.”

    By Dan Sheehan  January 26, 2022
    Page 31 of 66

    • Become a Lit Hub Supporting Member: Because Books Matter

    For the past decade, Literary Hub has brought you the best of the book world for free—no paywall. But our future relies on you. In return for a donation, you’ll get an ad-free reading experience, exclusive editors’ picks, book giveaways, and our coveted Joan Didion Lit Hub tote bag. Most importantly, you’ll keep independent book coverage alive and thriving on the internet.

    Become a member for as low as $5/month

    Dismiss without supporting Lit Hub
    x