Literary Hub » Film and TV

Paul Newman on the “Lusty Time” He Had Filming <em>The Long, Hot Summer</em> with Joanne Woodward

Paul Newman on the “Lusty Time” He Had Filming The Long, Hot Summer with Joanne Woodward

“For us, the promise of everything was there from the beginning.”

By Paul Newman | October 28, 2022

The Literary Film and TV You Need to Stream in November

The Literary Film and TV You Need to Stream in November

Settle In, It’s Going to Be a Long Winter

By Emily Temple | October 28, 2022

Ross Gay in Praise of Kurosawa’s <em>Dreams</em> and Making Beautiful (and Un-Beautiful) Things

Ross Gay in Praise of Kurosawa’s Dreams and Making Beautiful (and Un-Beautiful) Things

In Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | October 27, 2022

You Should Probably Watch <em>Godzilla vs. Hedorah</em>, One of the Campiest Entries in the Franchise

You Should Probably Watch Godzilla vs. Hedorah, One of the Campiest Entries in the Franchise

Come for the Psychedelic Dance Sequences, Stay for the Environmental Allegory

By Toho Co. and Graham Skipper | October 26, 2022

<em>Decision to Leave</em> is a Stirring Hitchcockian Neo-Noir

Decision to Leave is a Stirring Hitchcockian Neo-Noir

Olivia Rutigliano on Park Chan-wook’s New Mystery

By Olivia Rutigliano | October 21, 2022

The Me in the Screen: Steffan Triplett on Doppelgängers and Doubles, in Horror and Queer Life

The Me in the Screen: Steffan Triplett on Doppelgängers and Doubles, in Horror and Queer Life

“A queer person is used to keeping secrets, telling lies, sectioning off parts of themselves.”

By Steffan Triplett | October 21, 2022

Best Reviewed
Books of the Week

Revisiting Kier-La Janisse’s House of Psychotic Women, Ten Years Later

By Elizabeth Horkley | October 21, 2022

Sadly, The Peripheral Is Not the Great Cyberpunk Series We’ve Been Waiting for

By Dylan Roth | October 20, 2022

How Magnolia Engages with the Aftermath of Being in a Dysfunctional Family

By Open Form | October 20, 2022

Taika Waititi is directing and producing the miniseries adaptation of <em>Interior Chinatown</em>.

Taika Waititi is directing and producing the miniseries adaptation of Interior Chinatown.

By Dan Sheehan | October 17, 2022

Why Elon Musk is More Like Thomas Edison Than Nikola Tesla

Why Elon Musk is More Like Thomas Edison Than Nikola Tesla

Michael Almereyda Discusses Two Giants of Invention

By Michael Almereyda | October 17, 2022

At the Lonely Crossroads of Horror and the American Century

At the Lonely Crossroads of Horror and the American Century

W. Scott Poole on the Intertwined History of Horror Films and Social Critique

By W. Scott Poole | October 17, 2022

“No One Can Say No to Elmo.” The Beginning of a Journey to Bring <em>Sesame Street</em> to Russia

“No One Can Say No to Elmo.” The Beginning of a Journey to Bring Sesame Street to Russia

Natasha Lance Rogoff on an Unexpected Request from the Sesame Workshop

By Natasha Lance Rogoff | October 17, 2022

A New Era for Lena Dunham? Why the Controversial Creator is a Perfect Match for the Middle Ages

A New Era for Lena Dunham? Why the Controversial Creator is a Perfect Match for the Middle Ages

Catherine Called Birdy Is as Thoroughly Medieval as It Is Dunhamesque

By Ryan Coleman | October 14, 2022

<em>Triangle of Sadness</em> is a Satire That Skillfully Goes Overboard

Triangle of Sadness is a Satire That Skillfully Goes Overboard

Olivia Rutigliano on Ruben Östlund’s New Palme d'Or-Winning Comedy

By Olivia Rutigliano | October 14, 2022

Talking to Myself: On <em>The Image Book</em> and the Legacy of Jean-Luc Godard

Talking to Myself: On The Image Book and the Legacy of Jean-Luc Godard

What Godard is saying has always been a matter of how he is saying it."">"What Godard is saying has always been a matter of how he is saying it."

By Nathan Lee | October 14, 2022

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