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Film and TV

Television

“No One Can Say No to Elmo.” The Beginning of a Journey to Bring Sesame Street to Russia

By Natasha Lance Rogoff  October 17, 2022
What to Watch

A New Era for Lena Dunham? Why the Controversial Creator is a Perfect Match for the Middle Ages

By Ryan Coleman  October 14, 2022
What to Watch

Triangle of Sadness is a Satire That Skillfully Goes Overboard

By Olivia Rutigliano  October 14, 2022
In Memoriam

Talking to Myself: On The Image Book and the Legacy of Jean-Luc Godard

By Nathan Lee  October 14, 2022
Recap

Why We Root for the Adaptations of Our Favorite Book Series (Even When They Disappoint Us)

By Jenna Kass and Dylan Roth  October 14, 2022
The Hub

A film scholar uncovered the oldest footage from a Black film company at the Library of Congress.

By Corinne Segal  October 13, 2022
Open Form

Dawnie Walton in Praise of Say Anything’s Gangly, Vulnerable Male Lead

By Open Form  October 13, 2022
What to Watch

How The Exorcist Turned the Tensions Beneath the Inviolable Nuclear Family Unit into Horror

By Kelly Roberts, Michael Grasso, and Richard McKenna  October 12, 2022
The Hub

WATCH: Sarah Polley’s adaptation of Miriam Toews’s Women Talking looks stunning.

By Jonny Diamond  October 11, 2022
Blackness

Powerful and Multifaceted: Maya Phillips on the Responsibility of Black Superheroes

By Maya Phillips  October 11, 2022
The Hub

The Pope of Filth is bringing his filthy novel to the big (filthy) screen.

By Dan Sheehan  October 7, 2022
What to Watch

A Bite for Every Mood: A Guide to October’s Four New Literary Vampire Shows

By Alexis Gunderson  October 7, 2022
Recap

Do the Rings of Power Creators Care About the Original Text at All? (Should We?)

By Jenna Kass and Dylan Roth  October 7, 2022
Film Reviews

Amsterdam is an Overstuffed, Inchoate Whodunnit

By Olivia Rutigliano  October 7, 2022
Film Criticism

Another Dumb Blonde: On the Controversial Adaptation of Joyce Carol Oates’s Epic Novel

By Heidi Seaborn  October 6, 2022
What to Watch

Literary Dispatches from the New York Film Festival

By Elissa Suh  October 6, 2022
Open Form

Why There Are No Clear Heroes or Villains in Princess Mononoke

By Open Form  October 6, 2022
Patriarchy

What Woody Allen’s Manhattan Tells Us About Society’s Relationship With Powerful Men

By Erin Keane  October 5, 2022
The Hub

Check out the creepy first trailer for The Wonder.

By Dan Sheehan  October 4, 2022
The Hub

Lena Waithe’s production company is adapting a Joshua Bennett novella.

By Corinne Segal  October 4, 2022
What to Watch

The Literary Film and TV You Need to Stream in October

By Emily Temple  September 30, 2022
What to Watch

Everything Dies Baby, That’s a Fact: On the Elusive Train Dreams of Claire Denis and Mike Brodie

By Drew Johnson  September 30, 2022
Recap

The Rings of Power: Great Television or Deflating Entry to the Tolkien Canon?

By Jenna Kass and Dylan Roth  September 30, 2022
What to Watch

What’s the Point of a Prequel When We All Know Things End Badly?

By Matthew Redmond  September 30, 2022
Open Form

Celebrating One-Note Men in Legally Blonde

By Open Form  September 29, 2022
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