• Film and TV

    What to Watch

    More Than a Satire: American Fiction is a Poignant Reflection on Existence

    By Olivia Rutigliano  December 15, 2023
    What to Watch

    Ferrari Performs an Opera of Capitalism and Comes Up Loud

    By Frank Falisi  December 15, 2023
    What to Watch

    Sarcasm as Global Export; Or an Ode to Matthew Perry’s Chandler Bing

    By Shaan Sachdev  December 14, 2023
    Pop Music

    Growing Up in Taylor Swift’s America

    By Kelly Marie Coyne  December 14, 2023
    Cultural History

    What’s Old is New Again (and Again): On the Cyclical Nature of Nostalgia

    By Tobias Becker  December 13, 2023
    What to Watch

    Rumaan Alam on the Surreality of Seeing Leave the World Behind Come to Life on Screen

    By Rumaan Alam  December 8, 2023
    What to Watch

    When the Culture Wars Came for Monty Python’s Life of Brian

    By Kliph Nesteroff  December 8, 2023
    What to Watch

    Eileen Complicates the Relationship at the Heart of Ottessa Moshfegh’s Novel

    By Emmeline Clein  December 6, 2023
    What to Watch

    Poor Things is a Curious Phantasmagoria

    By Olivia Rutigliano  December 5, 2023
    Streaming Guide

    The Literary Film & TV You Need to Stream in December

    By Emily Temple  December 1, 2023
    What to Watch

    Feminine Appetites in Todd Haynes’s May December

    By Hannah Bonner  December 1, 2023
    Art and Life

    Graffiti Gentrification: Mattilda Bernstein Sycamore on the Exploitation of Basquiat

    By Mattilda Bernstein Sycamore  November 30, 2023
    Retrospective

    Beyond Poor Things: An Ode to Alasdair Gray’s Lesser-Known, Equally Deserving Books

    By Mazin Saleem  November 29, 2023
    What to Watch

    What Really Went on Between Francis Ford Coppola and Martin Sheen During the Filming of Apocalypse Now?

    By Sam Wasson  November 28, 2023
    Talk Easy

    Benny Safdie on Capturing Life on Film

    By Talk Easy  November 28, 2023
    What to Watch

    The Stars Are Hollow: On Gilmore Girls as “Normporn”

    By Karen Tongson  November 22, 2023
    What to Watch

    Maestro Slips into Easy Conversation with A Star is Born

    By Frank Falisi  November 22, 2023
    What to Watch

    On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola

    By Zach Schonfeld  November 20, 2023
    What to Watch

    How the Publicity Campaign for Killers of the Flower Moon Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour

    By Paul Morton  November 20, 2023
    Design

    The Pyschedelic Life and Art of David Edward Byrd

    By Robert von Goeben  November 20, 2023
    What to Watch

    Leave the World Behind is a Tense, Uneasy Thriller

    By Olivia Rutigliano  November 17, 2023
    What to Watch

    How Siskel & Ebert Brought Movies to the People

    By Matt Singer  November 17, 2023
    What to Watch

    Why Maurice is Still a Resonant Text for the Queer Audience

    By David Greven  November 15, 2023
    News and Culture

    Dream Scenario is a Worthwhile Head Trip

    By Olivia Rutigliano  November 10, 2023
    What to Watch

    Sweet Nothings: On the Emptiness of Sofia Coppola’s Priscilla

    By Hannah Bonner  November 10, 2023
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