Literary Hub » Film and TV

<em>You Hurt My Feelings</em> is a Sincere, Satisfying Relationship Comedy

You Hurt My Feelings is a Sincere, Satisfying Relationship Comedy

On Nicole Holofcener’s New Film About the Little Lies That Help Us Maintain Loving Relationships

By Olivia Rutigliano | June 9, 2023

Order vs. Randomness: What Math Can Teach Us About the Stage

Order vs. Randomness: What Math Can Teach Us About the Stage

Stephen Abbott Helps Make Sense of the Mathematical Underpinnings of Tom Stoppard's Leopoldstadt

By Stephen Abbott | June 9, 2023

Abdi Nazemian on Why He’s Happy Being Known As a Queer Writer

Abdi Nazemian on Why He’s Happy Being Known As a Queer Writer

In Conversation with Andrew Keen on Keen On

By Keen On | June 9, 2023

<em>Parting Glances</em>: Mourning the Work We Didn’t Get from Queer Director Bill Sherwood

Parting Glances: Mourning the Work We Didn’t Get from Queer Director Bill Sherwood

His Debut Was One of the Best Independent Films of the 1980s. He Died Four Years Later.

By Paul Morton | June 8, 2023

On the Literary Roots of <em>Die Hard</em>

On the Literary Roots of Die Hard

Nick de Semlyen Traces the Road from Nothing Lasts Forever to "Yippee-ki-yay, motherf*cker"

By Nick de Semlyen | June 7, 2023

My Mother Was Also a First Mermaid of Color

My Mother Was Also a First Mermaid of Color

Anri Wheeler on the Importance (and Limits) of Representation

By Anri Wheeler | June 6, 2023

Best Reviewed
Books of the Week

Noah Baumbach is publishing a book.

By Dan Sheehan | June 5, 2023

A Guide to the 2023 Cannes Film Festival’s Literary Offerings

By Jihane Bousfiha | June 2, 2023

As Seen on TV: Charlotte Gill on Adjusting to American Life

By Charlotte Gill | June 2, 2023

37 <em>Drag Race</em> Contestants (and RuPaul) on Drag as an Art Form and the Show’s Legacy

37 Drag Race Contestants (and RuPaul) on Drag as an Art Form and the Show’s Legacy

“What’s brilliant about drag is that it is actually the truth of who we all are.”

By Maria Elena Fernandez | June 1, 2023

Line for (Picket) Line: How Authors Are Standing With the WGA

Line for (Picket) Line: How Authors Are Standing With the WGA

Alexis Gunderson on the Power of Writerly Solidarity

By Alexis Gunderson | June 1, 2023

From the Ashes of Failure: On Cary Grant, Crop Dusters, and Character Arcs

From the Ashes of Failure: On Cary Grant, Crop Dusters, and Character Arcs

Meg Shaffer Considers How Hitchcock Needed North by Northwest to Be a Hit

By Meg Shaffer | June 1, 2023

Part of Our World: On the Mermaids of Walt Disney, Hans Christian Andersen, and W.B. Yeats

Part of Our World: On the Mermaids of Walt Disney, Hans Christian Andersen, and W.B. Yeats

Gabrielle Bellot: “The mermaid is the Other; she is also us.”

By Gabrielle Bellot | May 31, 2023

How Hugh Howey Imagines the Real World as a Science Fictional Version of Reality

How Hugh Howey Imagines the Real World as a Science Fictional Version of Reality

In Conversation with Andrew Keen on Keen On

By Keen On | May 31, 2023

Paul Schrader’s <em>Master Gardener</em> Doesn’t See the Forest for the Trees

Paul Schrader’s Master Gardener Doesn’t See the Forest for the Trees

The Third of Schrader's “God's Lonely Men” Trilogy Promises a Fruitful Plot but Is Sadly Under-Seeded

By Olivia Rutigliano | May 26, 2023

From Streaming Wars to Star Wars with Erich Schwartzel

From Streaming Wars to Star Wars with Erich Schwartzel

In Conversation with John Burnham Schwartz on Sun Valley Writers’ Conference’s Beyond the Page

By Sun Valley Writers' Conference | May 26, 2023

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