Literary Hub » Film and TV

<em>Guillermo del Toro’s Pinocchio</em> Imbues the Fairy Tale with Human Frailty and Historical Darkness

Guillermo del Toro’s Pinocchio Imbues the Fairy Tale with Human Frailty and Historical Darkness

Jonathan Russell Clark on Fascists, Fathers, and Federico Fellini

By Jonathan Russell Clark | December 5, 2022

The Literary Film and TV You Need to Stream in December

The Literary Film and TV You Need to Stream in December

Have Yourself a Merry Literary Movie Night

By Emily Temple | December 2, 2022

’Tis the Season: What 80s Mall Movies Tell Us About an Enduring Site of American Tension

’Tis the Season: What 80s Mall Movies Tell Us About an Enduring Site of American Tension

Sara Bernstein Surveys a Beloved Oeuvre

By Sara Tatyana Bernstein | December 2, 2022

Quentin Tarantino on How He Never Intended to Write a Book of Film History

Quentin Tarantino on How He Never Intended to Write a Book of Film History

This Week on The Literary Life with Mitchell Kaplan

By The Literary Life | December 2, 2022

The Art of Designing the Graphics For the Harry Potter and Fantastic Beast Films

The Art of Designing the Graphics For the Harry Potter and Fantastic Beast Films

MinaLima in Conversation with Andrew Keen on Keen On

By Keen On | December 2, 2022

Cannibals or Ghouls? The Elusiveness of Language in <em>Bones and All</em>

Cannibals or Ghouls? The Elusiveness of Language in Bones and All

Miyako Pleines on the Crucial Distinction Between Choice and Curse

By Miyako Pleines | December 1, 2022

Best Reviewed
Books of the Week

With the Ancestors: Buki Papillon on African Folklore and Wakanda Forever

By Fiction Non Fiction | December 1, 2022

In Netflix’s Lady Chatterley’s Lover, a Controversial Classic Becomes a Glossy Love Story

By Meg Walters | November 30, 2022

Tess Gunty's The Rabbit Hutch is coming to the screen.

By Dan Sheehan | November 29, 2022

Do the Oscars Have a Future in an Age of Superhero Sequels and Prequels?

Do the Oscars Have a Future in an Age of Superhero Sequels and Prequels?

Bruce Davis in Conversation with Andrew Keen on Keen On

By Keen On | November 29, 2022

On <em>Women Talking</em> and the Unreliable Narrators of Post-MeToo Literature

On Women Talking and the Unreliable Narrators of Post-MeToo Literature

Can Sarah Polley’s Film Adaptation Capture Miriam Toews’s Feat of Storytelling?

By Emma Staffaroni | November 28, 2022

Tracing Bong Joon Ho’s Rise to Fame, from Secret Government Blacklist to Making Oscars History

Tracing Bong Joon Ho’s Rise to Fame, from Secret Government Blacklist to Making Oscars History

Karen Han on the Films That Made a (Cheeky) Star

By Karen Han | November 28, 2022

Steven Spielberg’s <em>The Fabelmans</em> is a Beautiful Memory

Steven Spielberg’s The Fabelmans is a Beautiful Memory

The Director’s Autobiographical Film is Humble, Loving, and Mostly About Other People

By Olivia Rutigliano | November 23, 2022

“In My Opinion, Seven is the Pinnacle of Life.” Annie Barrows on Creating <em>Ivy and Bean</em>

“In My Opinion, Seven is the Pinnacle of Life.” Annie Barrows on Creating Ivy and Bean

How the Book Series (and Netflix Films) Became a Time Capsule and Refuge

By Annie Barrows | November 23, 2022

From Jean-Luc Godard to Bong Joon-ho: Joyce Chopra on the Films That Have Influenced Her

From Jean-Luc Godard to Bong Joon-ho: Joyce Chopra on the Films That Have Influenced Her

Lessons from a Lifetime of Making Art

By Joyce Chopra | November 23, 2022

The Teenage Cannibal Movie for Our Time? <em>Bones and All</em> Ate Me Right Up

The Teenage Cannibal Movie for Our Time? Bones and All Ate Me Right Up

Luca Guadagnino’s Adaptation of Camille DeAngelis’s Novel is Rich, Sad, and All-Consuming

By Olivia Rutigliano | November 22, 2022

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