Literary Hub » Film and TV

<em>Ferrari</em> Performs an Opera of Capitalism and Comes Up Loud

Ferrari Performs an Opera of Capitalism and Comes Up Loud

Frank Falisi on Michael Mann’s new film

By Frank Falisi | December 15, 2023

Sarcasm as Global Export; Or an Ode to Matthew Perry’s Chandler Bing

Sarcasm as Global Export; Or an Ode to Matthew Perry’s Chandler Bing

Shaan Sachdev on the Best Global Export to Come from Friends

By Shaan Sachdev | December 14, 2023

Growing Up in Taylor Swift’s America

Growing Up in Taylor Swift’s America

Kelly Marie Coyne on Women Writers, Role Models, and Miss Americana

By Kelly Marie Coyne | December 14, 2023

What’s Old is New Again (and Again): On the Cyclical Nature of Nostalgia

What’s Old is New Again (and Again): On the Cyclical Nature of Nostalgia

Tobias Becker Explores Popular Culture’s Continued Revival of the Past

By Tobias Becker | December 13, 2023

Rumaan Alam on the Surreality of Seeing <em>Leave the World Behind</em> Come to Life on Screen

Rumaan Alam on the Surreality of Seeing Leave the World Behind Come to Life on Screen

“I had a debilitating crush on Ethan Hawke as a teenager and now he’s playing a character I created. Deranged!”

By Rumaan Alam | December 8, 2023

When the Culture Wars Came for <em>Monty Python’s Life of Brian</em>

When the Culture Wars Came for Monty Python’s Life of Brian

“A film so funny they banned it in Norway!”

By Kliph Nesteroff | December 8, 2023

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Eileen Complicates the Relationship at the Heart of Ottessa Moshfegh’s Novel

By Emmeline Clein | December 6, 2023

Poor Things is a Curious Phantasmagoria

By Olivia Rutigliano | December 5, 2023

The Literary Film & TV You Need to Stream in December

By Emily Temple | December 1, 2023

Feminine Appetites in Todd Haynes’s <em>May December</em>

Feminine Appetites in Todd Haynes’s May December

Hannah Bonner on the Aesthetics of Tabloid Culture

By Hannah Bonner | December 1, 2023

Graffiti Gentrification: Mattilda Bernstein Sycamore on the Exploitation of Basquiat

Graffiti Gentrification: Mattilda Bernstein Sycamore on the Exploitation of Basquiat

Considering Boom for Real: The Late-Teenage Years of Jean-Michel Basquiat While Walking Through Baltimore

By Mattilda Bernstein Sycamore | November 30, 2023

Beyond <em>Poor Things</em>: An Ode to Alasdair Gray’s Lesser-Known, Equally Deserving Books

Beyond Poor Things: An Ode to Alasdair Gray’s Lesser-Known, Equally Deserving Books

Including a Gargantuan Retelling of the History of English Literature and a Bowdlerization of The Divine Comedy

By Mazin Saleem | November 29, 2023

What Really Went on Between Francis Ford Coppola and Martin Sheen During the Filming of <em>Apocalypse Now</em>?

What Really Went on Between Francis Ford Coppola and Martin Sheen During the Filming of Apocalypse Now?

The Disturbing—and Revealing—Story Behind an Iconic Moment in Cinema History

By Sam Wasson | November 28, 2023

Benny Safdie on Capturing Life on Film

Benny Safdie on Capturing Life on Film

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | November 28, 2023

The Stars Are Hollow: On <em>Gilmore Girls</em> as “Normporn”

The Stars Are Hollow: On Gilmore Girls as “Normporn”

Karen Tongson Ventures to the WB Backlot for a “Gilmore Girls Holiday”

By Karen Tongson | November 22, 2023

<em>Maestro</em> Slips into Easy Conversation with <em>A Star is Born</em>

Maestro Slips into Easy Conversation with A Star is Born

Frank Falisi on the New Leonard Bernstein Biopic and Its Director-Star Bradley Cooper

By Frank Falisi | November 22, 2023

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