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The Library is Open: On <em>Party Girl</em>, Budget Cuts, and the Future of Women’s Work

The Library is Open: On Party Girl, Budget Cuts, and the Future of Women’s Work

Victoria Wiet on the 1995 Cult Classic, a Rallying Cry for Libraries

By Victoria Wiet | August 17, 2023

"I Am the Only One Who Should Recite Them": When Werner Herzog Narrates Your AI Poetry Collection

Brent Katz on Directing the Legendary Director

By Brent Katz | August 16, 2023

<em>The Last Voyage of the Demeter</em> is a Creative <em>Dracula</em> Adaptation That Bites Off a Bit More Than It Can Chew

The Last Voyage of the Demeter is a Creative Dracula Adaptation That Bites Off a Bit More Than It Can Chew

Olivia Rutigliano Grades André Øvredal's New Film on a Curve

By Olivia Rutigliano | August 11, 2023

On the Men Who Lent Their Bodies (and Voices) to the Earliest Iterations of Superman

On the Men Who Lent Their Bodies (and Voices) to the Earliest Iterations of Superman

A Wrestler, a Sunday School Teacher, and a Mystery Man Walk into a Studio

By Paul Morton | August 10, 2023

Watch the creepy first trailer for <em>The Changeling</em>.

Watch the creepy first trailer for The Changeling.

By Dan Sheehan | August 8, 2023

How Casting Helen of Troy Becomes an Exercise in Female Power

How Casting Helen of Troy Becomes an Exercise in Female Power

“Helen’s spell has always depended, in part, on her own erotic agency, exercised in defiance of male authority.”

By Ruby Blondell | August 7, 2023

Best Reviewed
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  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Adrian Tomine on the Delight of Collaborating on the Shortcomings Adaptation

By Adrian Tomine | August 4, 2023

The Ineffable Romance of Good Omens... Four Years, One Pandemic, and Two Hollywood Strikes Later

By Alexis Gunderson | August 4, 2023

Becoming Others: Enacting the Transness of Virginia Woolf’s Orlando

By Hannah Bonner | August 3, 2023

Watch the trailer for the new Joyce Carol Oates documentary.

Watch the trailer for the new Joyce Carol Oates documentary.

By Dan Sheehan | July 28, 2023

The Literary Film and TV You Need to Stream in August

The Literary Film and TV You Need to Stream in August

Since You've Already Seen Barbenheimer

By Emily Temple | July 28, 2023

How <em>Barbie</em> Captures the Plasticity of Our Surreal Times

How Barbie Captures the Plasticity of Our Surreal Times

In Conversation with Andrew Keen on Keen On

By Keen On | July 28, 2023

On the Historical and Contemporary Significance of <em>Oppenheimer</em>

On the Historical and Contemporary Significance of Oppenheimer

In Conversation with Andrew Keen on Keen On

By Keen On | July 27, 2023

Greta Gerwig’s <em>Barbie</em> is a Fascinating, Spectacular Philosophical Experiment

Greta Gerwig’s Barbie is a Fascinating, Spectacular Philosophical Experiment

Barbie Literalizes the Abstract and Abstracts the Literal in an Engaging, Thought-Provoking Inquiry into the Female Experience

By Olivia Rutigliano | July 21, 2023

How to Adapt Stephen King: A Conversation with the Duo Behind <em>The Boogeyman</em>

How to Adapt Stephen King: A Conversation with the Duo Behind The Boogeyman

Jonathan Russell Clark Chats with Screenwriters Scott Beck and Bryan Woods

By Jonathan Russell Clark | July 21, 2023

Time Out of Mind: On the Ahistorical Cinematic Adaptation

Time Out of Mind: On the Ahistorical Cinematic Adaptation

A 1973 Bruno Schulz Adaptation Goes (Temporally) Beyond Its Source Material—and It’s Not Alone

By Tobias Carroll | July 21, 2023

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    • New Series to Watch this WeekendJanuary 30, 2026 by Olivia Rutigliano
    • Ritual, Alternate Histories, and More: 8 Novels About Secret SocietiesJanuary 30, 2026 by Karen Winn
    • The Best Reviewed Books of the Month: January 2026January 30, 2026 by CrimeReads
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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