What Really Went on Between Francis Ford Coppola and Martin Sheen During the Filming of <em>Apocalypse Now</em>?

What Really Went on Between Francis Ford Coppola and Martin Sheen During the Filming of Apocalypse Now?

The Disturbing—and Revealing—Story Behind an Iconic Moment in Cinema History

By Sam Wasson | November 28, 2023

Benny Safdie on Capturing Life on Film

Benny Safdie on Capturing Life on Film

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | November 28, 2023

The Stars Are Hollow: On <em>Gilmore Girls</em> as “Normporn”

The Stars Are Hollow: On Gilmore Girls as “Normporn”

Karen Tongson Ventures to the WB Backlot for a “Gilmore Girls Holiday”

By Karen Tongson | November 22, 2023

<em>Maestro</em> Slips into Easy Conversation with <em>A Star is Born</em>

Maestro Slips into Easy Conversation with A Star is Born

Frank Falisi on the New Leonard Bernstein Biopic and Its Director-Star Bradley Cooper

By Frank Falisi | November 22, 2023

On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola

On the Jealous Rivalry Between Nicolas Cage and His Uncle, Francis Ford Coppola

Zach Schonfeld on a Family Not Unlike the Corleones

By Zach Schonfeld | November 20, 2023

How the Publicity Campaign for <em>Killers of the Flower Moon</em> Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour

How the Publicity Campaign for Killers of the Flower Moon Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour

Paul Morton on the Performance of Authenticity and the Native Stories Left to Tell

By Paul Morton | November 20, 2023

Best Reviewed
Books of the Week

  • House of Day, House of Night
  • The Award
  • Daring to Be Free: Rebellion and Resistance of the Enslaved in the Atlantic World
  • Casanova 20: Or, Hot World
  • Frostlines: A Journey Through Entangled Lives and Landscapes in a Warming Arctic
  • The Six Loves of James I

The Pyschedelic Life and Art of David Edward Byrd

By Robert von Goeben | November 20, 2023

Leave the World Behind is a Tense, Uneasy Thriller

By Olivia Rutigliano | November 17, 2023

How Siskel & Ebert Brought Movies to the People

By Matt Singer | November 17, 2023

Why <em>Maurice</em> is Still a Resonant Text for the Queer Audience

Why Maurice is Still a Resonant Text for the Queer Audience

David Greven Defends a Merchant Ivory Adaptation

By David Greven | November 15, 2023

<em>Dream Scenario</em> is a Worthwhile Head Trip

Dream Scenario is a Worthwhile Head Trip

The new film starring Nicolas Cage is a thoughtful and engaging, if slightly overambitious, meditation on fame, attention, and parasocial connection.

By Olivia Rutigliano | November 10, 2023

Sweet Nothings: On the Emptiness of Sofia Coppola’s <em>Priscilla</em>

Sweet Nothings: On the Emptiness of Sofia Coppola’s Priscilla

Hannah Bonner on the Director’s Latest “Waiting Woman”

By Hannah Bonner | November 10, 2023

The Most Unlikable Woman: On Sofia Coppola’s Stymied Quest to Bring Undine Spragg to Screen

The Most Unlikable Woman: On Sofia Coppola’s Stymied Quest to Bring Undine Spragg to Screen

Apple TV+ Isn’t Moving Forward with a Series Adaptation of The Custom of the Country. It’s Their Loss.

By Emily J. Orlando | November 8, 2023

Laughing At Evil: When Charlie Chaplin Brought Hitler to the Big Screen

Laughing At Evil: When Charlie Chaplin Brought Hitler to the Big Screen

Scott Eyman on the Making and Legacy of The Great Dictator

By Scott Eyman | November 3, 2023

How 1950s Hollywood Tried (and Failed) to Make Literary Adaptations Big

How 1950s Hollywood Tried (and Failed) to Make Literary Adaptations Big

The Problem with the Classics

By Foster Hirsch | November 3, 2023

We Almost Got a Superhero Movie from <em>The Exorcist</em> Director William Friedkin

We Almost Got a Superhero Movie from The Exorcist Director William Friedkin

When a New Hollywood Auteur and a Journalist Teamed Up to Adapt Will Eisner

By Paul Morton | November 3, 2023

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