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The Literary Film & TV You Need to Stream in November

The Literary Film & TV You Need to Stream in November

From Under the Blanket

By Emily Temple | October 27, 2023

Romance and Representation: On the Rise of the Asian American Romantic Comedy

Romance and Representation: On the Rise of the Asian American Romantic Comedy

Jeff Yang in Conversation With Actor Simu Liu and Filmmaker Alice Wu

By Jeff Yang | October 26, 2023

Holly Ringland on the Life-Affirming Experience of Seeing Her Novel Adapted for TV

Holly Ringland on the Life-Affirming Experience of Seeing Her Novel Adapted for TV

The Author of The Lost Flowers of Alice Hart Goes Behind the Scenes (and Shares Exclusive Photos!)

By Holly Ringland | October 26, 2023

On <em>Lessons in Chemistry</em> and the Reign of Extraordinary Women

On Lessons in Chemistry and the Reign of Extraordinary Women

Rosalynn Tyo on the New Series Adaptation and the Sidelining of “Average” Women

By Rosalynn Tyo | October 23, 2023

Despite Some Pitfalls, <em>Killers of the Flower Moon</em> Swells with Humanity and Heart

Despite Some Pitfalls, Killers of the Flower Moon Swells with Humanity and Heart

On Martin Scorsese’s New Adaptation of David Grann’s Monumental Book

By Olivia Rutigliano | October 20, 2023

Marty and Leo are bringing another David Grann book to the big screen.

Marty and Leo are bringing another David Grann book to the big screen.

By Dan Sheehan | October 19, 2023

Best Reviewed
Books of the Week

Highs and Lows from the New York Film Festival's Literary Fare

By Elissa Suh | October 19, 2023

Watch the sinister trailer for the adaptation of Ottessa Moshfegh's Eileen.

By Emily Temple | October 18, 2023

Butcher’s Crossing Betrays the Brilliant Novel That Inspired It

By Michelle Nijhuis | October 18, 2023

How the Iron Horse Spelled Doom for the American Buffalo

How the Iron Horse Spelled Doom for the American Buffalo

Dayton Duncan and Ken Burns on General Custer, Buffalo Bill and Grand Duke Alexis

By Dayton Duncan and Ken Burns | October 16, 2023

<em>Halloween</em> at 45: How Horror’s Scariest Franchise Makes Sense of the Senseless

Halloween at 45: How Horror’s Scariest Franchise Makes Sense of the Senseless

On the Many Masks of Michael Myers, from Unknowable Force of Nature to Explainable Antagonist

By Michael Kraus | October 13, 2023

What Does Playing the Devil Incarnate Do to a Young Girl?

What Does Playing the Devil Incarnate Do to a Young Girl?

Marlena Williams on Linda Blair’s Infamous Role in The Exorcist

By Marlena Williams | October 13, 2023

Dorothea Lasky on the Power of Horror

Dorothea Lasky on the Power of Horror

The Poet Considers Kubrick's The Shining and Sylvia Plath's “Tulips”

By Dorothea Lasky | October 13, 2023

The Divided Self is Every Immigrant’s Legacy

The Divided Self is Every Immigrant’s Legacy

Thrity Umrigar on Fitting in in America

By Thrity Umrigar | October 13, 2023

Liberatory Art: What <em>Passages</em> Achieves in the History of Cinema and Desire

Liberatory Art: What Passages Achieves in the History of Cinema and Desire

”Passages can mean so much without us strip-mining its parts for parts.”

By Frank Falisi | October 6, 2023

Iain Reid on Seeing <em>Foe</em> Come to Life on Screen

Iain Reid on Seeing Foe Come to Life on Screen

All Hail Saoirse Ronan and Paul Mescal

By Iain Reid | October 6, 2023

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